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BURN DOWN THE GROUND

A MEMOIR

Poignant and unsettling.

A New York publicist and producer’s unsparing yet compassionate account of her dysfunctional childhood and the father who both charmed and victimized her family.

As the hearing child of two deaf adults, Crews grew up between worlds. Her outsider status increased when she and her parents moved to Boars Head, Texas, a place that “wasn’t even on the map.” At first, their new life, though undeniably difficult, seemed a glorious, backwoods adventure—the perfect tonic for her father’s roving eye and failing marriage. But not long after they moved from their tin-shed shelter into a mobile home, Crews began to see evidence of domestic abuse that took the form of mysterious bruises on her mother’s face and inexplicably cruel behavior in her brother. Her home life continued to show signs of ugly undercurrents, yet only silence prevailed, and the author threw herself into school and a full-time job. Meanwhile, her carpenter father began losing jobs and turning to alcohol and gambling while her mother struggled to support a splintering family. When Crews was 16, she witnessed “by far the most traumatic incident I had ever experienced in my life”: her father destroying the family home and brutalizing her mother. Even after she found success in her career, her past was far from behind her. At age 31, she received the shattering news that her father had stabbed his girlfriend. Rather than blame her father for his actions, however, Crews chose to embrace a more difficult truth. She, along with her own family—in collusion with a society and criminal-justice system insensitive to the needs of domestic-abuse victims—had contributed to what he had become.

Poignant and unsettling.

Pub Date: March 1, 2012

ISBN: 978-0-345-51602-2

Page Count: 352

Publisher: Villard

Review Posted Online: Jan. 29, 2012

Kirkus Reviews Issue: Feb. 15, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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