Accomplished, risk-taking, exciting new work from one of our most interesting writers.
Fifteen ferociously imaginative and provocative new stories from the author of a previous collection (Artificial Things, not reviewed) and the highly regarded novels Sarah Canary (1991) and The Sweetheart Season (1996).
There are three different kinds of stories here: vignettes that elliptically portray women's fantasies of escaping the figurative (and sometimes literal) prisons men build for them; more fully developed tales of girls and women in and out of love with variously disappointing partners; and revisionist comedies (Fowler has been called ``an American Angela Carter''), in which the fantastic and magical-realist elements that crop up in her novels are central and crucial. The best of these latter include the title story, where temperance crusader Carry Nation returns to life, to the consternation of a henpecked DEA agent; the moving ``Lieserl,'' in which Albert Einstein learns of the birth of his illegitimate daughter, but excuses his neglect by claiming ``experience is a hindrance to the scientist''; and ``The Faithful Companion at Forty,'' a piece distinguished both by wickedly rendered contemporary psychobabble and by Tonto's exasperation over the Lone Ranger's disrespect for him (``You want to bet even Attila the Hun had a party on his fortieth?''). Fowler stumbles with murky stories about impaired father-daughter relationships (``The Elizabeth Complex,'' ``Go Back'') and in an overattenuated exploration of young moderns' sexual politics and role-playing (``The View from Venus: a case study''). But she's at her best in a heart-tugging story of a woman war-protestor's separation from the pacifist intellectual who was the love of her youth (``Letters from Home''); the fascinating ``Duplicity,'' about a woman who seeks and unfortunately finds an alternative to her unadventurous lover; and ``Game Night at the Fox and Goose,'' in which an abandoned pregnant woman's encounter with a female who promises her entry into ``another universe where the feminist force was just a little stronger'' reaches an astonishing climax.
Accomplished, risk-taking, exciting new work from one of our most interesting writers.Pub Date: Feb. 1, 1998
ISBN: 0-8050-5557-6
Page Count: 320
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1998
BOOK REVIEW
BOOK REVIEW
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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