by Karina Wolf ; illustrated by Chuck Groenink ‧ RELEASE DATE: Oct. 23, 2018
A warmhearted and warm-spirited story of love and acceptance.
Vulpine or canine? That is the question.
A very attractive red fox named Luca enters a well-maintained city park only to face rejection. Luca considers himself a dog, whereas the dogs of the park consider him a fox. In a bold two-page spread, Luca firmly states, “I am not a fox.” Nonetheless, he does not share the physical traits of the many varieties of park-walking dogs. He wanders the city streets only to be chased by hounds. In a museum, Luca sees himself in a painting—but the label says the animals are a “skulk of foxes.” He resigns himself to the life of a fox. At night, in the quiet of the woods, Luca encounters several foxes that, in turn, reject him. Clearly he is a dog, they declare, because he looks and acts like one. In what readers will welcome as the fitting conclusion to this story of identity crisis, a little girl discovers Luca, takes him home, and embraces him. Now, with his person, he can enter the park happily. Wolf’s lovely little tale does not actually answer the question except to say that an animal in the city with a girl to love him is a contented one. Groenink’s digital illustrations are softly textured and showcase a very appealing title character. The girl who finds Luca has light skin and wears her straight, black hair in a pageboy.
A warmhearted and warm-spirited story of love and acceptance. (Picture book. 3-6)Pub Date: Oct. 23, 2018
ISBN: 978-0-399-17450-6
Page Count: 32
Publisher: Putnam
Review Posted Online: July 29, 2018
Kirkus Reviews Issue: Aug. 15, 2018
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by Karina Wolf & illustrated by The Brothers Hilts
by Peter Brown ; illustrated by Peter Brown ‧ RELEASE DATE: June 24, 2025
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
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New York Times Bestseller
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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by Aaron Reynolds ; illustrated by Peter Brown
BOOK REVIEW
by Peter Brown ; illustrated by Peter Brown
BOOK REVIEW
by Aaron Reynolds ; illustrated by Peter Brown
by Erin Guendelsberger ; illustrated by Elizaveta Tretyakova ‧ RELEASE DATE: Oct. 1, 2020
Sadly, the storytelling runs aground.
A little red sleigh has big Christmas dreams.
Although the detailed, full-color art doesn’t anthropomorphize the protagonist (which readers will likely identify as a sled and not a sleigh), a close third-person text affords the object thoughts and feelings while assigning feminine pronouns. “She longed to become Santa’s big red sleigh,” reads an early line establishing the sleigh’s motivation to leave her Christmas-shop home for the North Pole. Other toys discourage her, but she perseveres despite creeping self-doubt. A train and truck help the sleigh along, and when she wishes she were big, fast, and powerful like them, they offer encouragement and counsel patience. When a storm descends after the sleigh strikes out on her own, an unnamed girl playing in the snow brings her to a group of children who all take turns riding the sleigh down a hill. When the girl brings her home, the sleigh is crestfallen she didn’t reach the North Pole. A convoluted happily-ever-after ending shows a note from Santa that thanks the sleigh for giving children joy and invites her to the North Pole next year. “At last she understood what she was meant to do. She would build her life up spreading joy, one child at a time.” Will she leave the girl’s house to be gifted to other children? Will she stay and somehow also reach ever more children? Readers will be left wondering. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 31.8% of actual size.)
Sadly, the storytelling runs aground. (Picture book. 3-6)Pub Date: Oct. 1, 2020
ISBN: 978-1-72822-355-1
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
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by Erin Guendelsberger ; illustrated by Jennifer Zivoin
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by Erin Guendelsberger ; illustrated by Annelouise Mahoney
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by Erin Guendelsberger ; illustrated by Suzie Mason
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