High fantasy marked by restraint, subtlety, and deep character maneuvering.
This third installment of a series sees the fire-wielding Vatra clan one step closer to escaping its desert prison.
One thousand years ago, three elemental daeva clans—the Danai, the Valkirin, and the Marakai—imprisoned a fourth group, the Vatras, in a desert called the Kiln. Now, a fire-wielding Vatra named Nicodemus has escaped. He seeks beings known as talismans, who can break the storms that enclose the Kiln. Enter half-daeva Nazafareen; her lover, Darius; and the band of heroes aboard the ship Chione. They sail the Austral Ocean with Capt. Mafuone in search of Sakhet-ra-katme, one of the original talismans who sealed the Vatras. Hopefully, the long-lived Sakhet can point Nazafareen toward the child she hid years ago, 12-year-old Mebetimmunedjem. On the ship Asperta, Meb “the Mouse” is a Marakai who can’t manipulate water like the rest of the seafaring daevas. She’s a member of the crew, under Capt. Kasaika, with no idea of the forces converging on her. Meanwhile, in Persian Samarqand, Javid has become a successful delivery pilot for the merchant Izad Asabana. One of their best customers is Prince Shahak, who’s addicted to the magical rush of spell dust. And at Val Moraine, Victor Dessarian punishes his son Galen with the task of tunneling through the ice wall surrounding a holdfast. In this latest volume in The Fourth Talisman fantasy series, Ross (Solis, 2018, etc.) keeps all of her narrative plates spinning at top speed. While dialogue drives her plots, lyrical filigree exalts the whole, as in the line “One by one, the stars winked out, as if devoured by some slouching celestial beast.” And though a vast war threatens her alternate ancient Persia, the author once more proves the master of small character moments, as when Nazafareen feels that “something shifted in her heart” after seeing an Aurora in the night sky “bleeding pure light.” Cast members from Solis return in frightening ways, including Apollonian acolyte Thena, whose mind goes blank as she murders someone. By the end, Ross has primed audiences for an epic conclusion.
High fantasy marked by restraint, subtlety, and deep character maneuvering.Pub Date: June 15, 2018
ISBN: 978-0-9990481-6-0
Page Count: 318
Publisher: Acorn
Review Posted Online: Nov. 14, 2018
Kirkus Reviews Issue: Dec. 15, 2018
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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