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GATES OF MARS

From the Halo Trilogy series , Vol. 1

An indelible introduction to an interplanetary saga and its sublime characters.

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A 22nd-century cop’s search for his missing sister on Mars entangles him in a conspiracy in this SF series opener.

Crucial Larsen opted to stay on Earth while his younger sister, Essential, took a job on colonized yet not fully terraformed Mars. But the cop braves dreaded space travel upon learning that Essential has disappeared. Things get instantly awkward on the red planet, as his initial contact is Mars’ deputy chief of security, Jynks Martine. Jynks is engaged to Crucial’s botanist ex-girlfriend, Melinda “Mel” Hopwire. But there’s a general sense of unease on both Mars and Earth, as citizens are somehow armed in defiance of the advanced artificial intelligence Halo that monitors the two planets. Complicating matters are the governing Five Families. Years ago, the Consolidation Wars whittled corporation-owning families down to five, but there may be dissension among them once again. Trying to find his sister puts Crucial near the Variance, a resistance group that opposes the Five Families. The Variance has a plan underway that includes subverting ostensibly omniscient Halo. As Crucial is immersed in this scheme, whether he likes it or not, the generally indifferent, law-enforcing “Earther” will have to choose which side he’s on. McFall and Hays flavor this SF tale with noir: Halo is interrogating Crucial, the world-weary detective (of sorts), as the story unfolds in flashbacks. This style is effective in multiple ways, especially as it playfully teases future narrative events, like certain characters’ fates. Smartly detailed SF components are equally strong: Glitter guns grow and discharge crystal ammo while lowly Earth’s backstory is rife with global devastation. The cast, meanwhile, is predominantly and refreshingly female, and many, from Jynks to Singhroy Able (from one of the Five Families), are delightfully vague regarding their motivations. Though a sequel will follow, the ending offers considerable resolution.

An indelible introduction to an interplanetary saga and its sublime characters.

Pub Date: June 16, 2020

ISBN: 978-1-73451-970-9

Page Count: 303

Publisher: Pumpjack Press

Review Posted Online: June 25, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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WHAT WE CAN KNOW

A philosophically charged tour de force by one of the best living novelists in English.

A gravely post-apocalyptic tale that blends mystery with the academic novel.

McEwan’s first narrator, Thomas Metcalfe, is one of a vanishing breed, a humanities professor, who on a spring day in 2119, takes a ferry to a mountain hold, the Bodleian Snowdonia Library. The world has been remade by climate change, the subject of a course he teaches, “The Politics and Literature of the Inundation.” Nuclear war has irradiated the planet, while “markets and communities became cellular and self-reliant, as in early medieval times.” Nonetheless, the archipelago that is now Britain has managed to scrape up a little funding for the professor, who is on the trail of a poem, “A Corona for Vivien,” by the eminent poet Francis Blundy. Thanks to the resurrected internet, courtesy of Nigerian scientists, the professor has access to every bit of recorded human knowledge; already overwhelmed by data, scholars “have robbed the past of its privacy.” But McEwan’s great theme is revealed in his book’s title: How do we know what we think we know? Well, says the professor of his quarry, “I know all that they knew—and more, for I know some of their secrets and their futures, and the dates of their deaths.” And yet, and yet: “Corona” has been missing ever since it was read aloud at a small party in 2014, and for reasons that the professor can only guess at, for, as he counsels, “if you want your secrets kept, whisper them into the ear of your dearest, most trusted friend.” And so it is that in Part 2, where Vivien takes over the story as it unfolds a century earlier, a great and utterly unexpected secret is revealed about how the poem came to be and to disappear, lost to history and memory and the coppers.

A philosophically charged tour de force by one of the best living novelists in English.

Pub Date: Sept. 23, 2025

ISBN: 9780593804728

Page Count: 320

Publisher: Knopf

Review Posted Online: May 24, 2025

Kirkus Reviews Issue: July 1, 2025

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