A satisfying conclusion for those following the series.
This final book in the Darkness Rising trilogy resolves the issues introduced in the first two and continues to expand the large cast of characters.
Sixteen-year-old Maya can turn into a mountain lion, although not at will. Stress and anger cause the change, which can come at inconvenient times, and the more time she spends as a cat, the harder it is to control her anger. Nearly every time seems inconvenient while Maya and her friend Daniel and boyfriend Rafe, both also endowed with paranormal gifts, are on the run from a wealthy cabal that wants to capture them. In an earlier installment, the cabal faked the teens’ deaths in a helicopter crash, severing them from their families and the small Canadian town that had sheltered them for years. Maya wants her former happy life and family back. The plot thickens when Maya learns that her own biological father runs the cabal and that other, rival cabals have entered the picture. Can Maya continue her romance with Rafe when he becomes jealous of her deep friendship with Daniel? How will Maya’s newfound twin brother Ash fit in? Armstrong delivers, although only those who have read the previous books will understand everything that’s going on. Maya’s confusion over her romance and friendship resolves with some maturity, breaking with conventions in a nicely effective way.
A satisfying conclusion for those following the series. (Paranormal suspense. 12 & up)Pub Date: April 9, 2013
ISBN: 978-0-06-179708-8
Page Count: 416
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 27, 2013
Kirkus Reviews Issue: Feb. 15, 2013
A descriptive and atmospheric paranormal social thriller that could be a bit tighter.
After a Nigerian British girl goes off to an exclusive boarding school that seems to prey on less-privileged students, she discovers there might be some truth behind an urban legend.
Ife Adebola joins the Urban Achievers scholarship program at pricey, high-pressure Nithercott School, arriving shortly after a student called Leon mysteriously disappeared. Gossip says he’s a victim of the glowing-eyed Changing Man who targets the lonely, leaving them changed. Ife doesn’t believe in the myth, but amid the stresses of Nithercott’s competitive, privileged, majority-white environment, where she is constantly reminded of her state school background, she does miss her friends and family. When Malika, a fellow Black scholarship student, disappears and then returns, acting strangely devoid of personality, Ife worries the Changing Man is real—and that she’s next. Ife joins forces with classmate Bijal and Benny, Leon’s younger brother, to uncover the truth about who the Changing Man is and what he wants. Culminating in a detailed, gory, and extended climactic battle, this verbose thriller tempts readers with a nefarious mystery involving racial and class-based violence but never quite lives up to its potential and peters out thematically by its explosive finale. However, this debut offers highly visually evocative and eerie descriptions of characters and events and will appeal to fans of creature horror, social commentary, and dark academia.
A descriptive and atmospheric paranormal social thriller that could be a bit tighter. (Thriller. 14-18)Pub Date: Sept. 26, 2023
ISBN: 9781250868138
Page Count: 384
Publisher: Feiwel & Friends
Review Posted Online: June 8, 2023
Kirkus Reviews Issue: July 1, 2023
A trilogy opener both rich and strange, if heavy at the front end.
Riggs spins a gothic tale of strangely gifted children and the monsters that pursue them from a set of eerie, old trick photographs.
The brutal murder of his grandfather and a glimpse of a man with a mouth full of tentacles prompts months of nightmares and psychotherapy for 15-year-old Jacob, followed by a visit to a remote Welsh island where, his grandfather had always claimed, there lived children who could fly, lift boulders and display like weird abilities. The stories turn out to be true—but Jacob discovers that he has unwittingly exposed the sheltered “peculiar spirits” (of which he turns out to be one) and their werefalcon protector to a murderous hollowgast and its shape-changing servant wight. The interspersed photographs—gathered at flea markets and from collectors—nearly all seem to have been created in the late 19th or early 20th centuries and generally feature stone-faced figures, mostly children, in inscrutable costumes and situations. They are seen floating in the air, posing with a disreputable-looking Santa, covered in bees, dressed in rags and kneeling on a bomb, among other surreal images. Though Jacob’s overdeveloped back story gives the tale a slow start, the pictures add an eldritch element from the early going, and along with creepy bad guys, the author tucks in suspenseful chases and splashes of gore as he goes. He also whirls a major storm, flying bullets and a time loop into a wild climax that leaves Jacob poised for the sequel.
A trilogy opener both rich and strange, if heavy at the front end. (Horror/fantasy. 12-14)Pub Date: June 7, 2011
ISBN: 978-1-59474-476-1
Page Count: 234
Publisher: Quirk Books
Review Posted Online: March 30, 2014
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