Moralizing bows out in favor of a clever celebration of how our experiences affect our selves.
Convention is upended in this striking tale of individuality and change.
“Black. Orange. This. Not that.” From the day they are hatched, young caterpillars are informed by their butterfly guardians how to think and how to act. All obey except for Charley. While the others eat ceaselessly, Charley looks up into the canopy and gazes at the trees and clouds and stars. While the others dream of becoming butterflies, Charley imagines what it would be like to be a deer or a waterfall. And as the butterflies tell their charges what to think, Charley finds new things to discover. At last, the day comes for all caterpillars to form their chrysalises, and Charley worries. But while inside, the wayward caterpillar imagines far more than just orange and black, so that when at last the new butterflies emerge, the protagonist’s wings reflect “everything Charley had ever loved.” Storytelling that could have come off as heavy-handed is instead treated here with an elegant touch. Wise produces lush, lovely spreads, not only of the standard monarch colors, but of a world far beyond their perceived limitations. The reveal at the end is evocative of that final spread in Eric Carle’s The Very Hungry Caterpillar (1969) but with an entirely different thought process at work. (This book was reviewed digitally.)
Moralizing bows out in favor of a clever celebration of how our experiences affect our selves. (Picture book. 3-6)Pub Date: May 2, 2023
ISBN: 978-0-593-42904-4
Page Count: 40
Publisher: Knopf
Review Posted Online: Feb. 24, 2023
Kirkus Reviews Issue: March 15, 2023
Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way.
All the typical worries and excuses kids have about school are filtered through Willems’ hysterical, bus-loving Pigeon.
Told mostly in speech balloons, the bird’s monologue will have kids (and their caregivers) in stitches at Pigeon’s excuses. From already knowing everything (except whatever question readers choose to provide in response to “Go ahead—ask me a question. / Any question!”) to fearing learning too much (“My head might pop off”), Pigeon’s imagination has run wild. Readers familiar with Pigeon will recognize the muted, matte backgrounds that show off the bird’s shenanigans so well. As in previous outings, Willems varies the size of the pigeon on the page to help communicate emotion, the bird teeny small on the double-page spread that illustrates the confession that “I’m… / scared.” And Pigeon’s eight-box rant about all the perils of school (“The unknown stresses me out, dude”) is marvelously followed by the realization (complete with lightbulb thought bubble) that school is the place for students to practice, with experts, all those skills they don’t yet have. But it is the ending that is so Willems, so Pigeon, and so perfect. Pigeon’s last question is “Well, HOW am I supposed to get there, anyway!?!” Readers will readily guess both the answer and Pigeon’s reaction.
Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way. (Picture book. 3-6)Pub Date: July 2, 2019
ISBN: 978-1-368-04645-9
Page Count: 40
Publisher: Hyperion
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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