Like its predecessor, this Japanese import is an excellent storytime choice. (Picture book. 3-7)
The froglets who once were 999 Tadpoles (2011) wake from hibernation for an eventful spring.
First, big brother oversleeps. Then, the band of brothers and sisters set out to wake others to enjoy the season and the cherry blossoms. They rouse turtle, then lizard and then a mass of ladybugs. But, oh-oh, the next creature is a big red snake. This sequel is just as child friendly as its predecessor—simple and satisfying. Artful page turns add suspense even before the scary snake wakes up. The story moves along briskly, carried in dialogue as well as narrative. Mother Frog saves the day, and the turtle, grateful at being awoken in time for spring, removes the threat. Murakami’s yellow-eyed frogs are surprisingly expressive. Gray-spotted shapes of green against a clean white background, they bounce across the pages, sometimes standing around in a group and sometimes scurrying off. When big brother recognizes the snake, his little pink mouth widens into a terrified grimace. Brown Mother Frog is different in color and size. Big brother is larger, too. The other 998 are largely indistinguishable. Murakami’s landscape is only suggested; the imagination supplies the details.
Like its predecessor, this Japanese import is an excellent storytime choice. (Picture book. 3-7)Pub Date: March 1, 2013
ISBN: 978-0-7358-4108-6
Page Count: 48
Publisher: NorthSouth
Review Posted Online: Jan. 15, 2013
Kirkus Reviews Issue: Feb. 1, 2013
BOOK REVIEW
A sweet, soft conversation starter and a charming gift.
A paean to teachers and their surrogates everywhere.
This gentle ode to a teacher’s skill at inspiring, encouraging, and being a role model is spoken, presumably, from a child’s viewpoint. However, the voice could equally be that of an adult, because who can’t look back upon teachers or other early mentors who gave of themselves and offered their pupils so much? Indeed, some of the self-aware, self-assured expressions herein seem perhaps more realistic as uttered from one who’s already grown. Alternatively, readers won’t fail to note that this small book, illustrated with gentle soy-ink drawings and featuring an adult-child bear duo engaged in various sedentary and lively pursuits, could just as easily be about human parent- (or grandparent-) child pairs: some of the softly colored illustrations depict scenarios that are more likely to occur within a home and/or other family-oriented setting. Makes sense: aren’t parents and other close family members children’s first teachers? This duality suggests that the book might be best shared one-on-one between a nostalgic adult and a child who’s developed some self-confidence, having learned a thing or two from a parent, grandparent, older relative, or classroom instructor.
A sweet, soft conversation starter and a charming gift. (Picture book. 4-7)Pub Date: March 1, 2017
ISBN: 978-1-943200-08-5
Page Count: 32
Publisher: Compendium
Review Posted Online: Dec. 13, 2016
Kirkus Reviews Issue: Jan. 1, 2017
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
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