by Kenneth W. Starr ‧ RELEASE DATE: Oct. 10, 2002
Fellow travelers will doubtless find something of worth in Starr’s characterization of the modern judiciary; other readers...
Conservative crusader Starr, Javert to Bill Clinton’s Jean Valjean, examines and occasionally condemns the work of the post-Warren Supreme Court.
Starr shows rightist colors from the first sentence, recounting Thurgood Marshall’s having taken offense at his ultimately successful effort as US solicitor general to free Oklahoma City from the burdens of desegregation. Throughout his pages, he decries the recent Court’s supposed penchant for judicial activism; expresses wounded wonder at its failure to overturn Roe v. Wade, which, he holds, “was not grounded in the text or history of the Constitution” (the Court evidently believed otherwise, interpreting the right to abortion as a guaranteed species of personal privacy); and questions why Chief Justice William Rehnquist, whom he obviously admires, should have allowed such “jurisprudentially weak and irregularly born” exclusionary rules as Mapp v. Ohio to stand when they’re such a bother to law-enforcement officers everywhere. Not all is unwell in the highest court in the land, though, Starr writes, for “notwithstanding the Warren and Burger Courts’ drive toward separation”—of church and state, that is—“religious tradition continues to find its way into public life, as demonstrated by the outpouring of religious sentiment and patriotism in the wake of the terrorist attacks of September 11, 2001.” As he moves along in his consideration of recent Court rulings, Starr ventures a few curious asides—at one point, for instance, he calls Clarence Thomas “the most intriguing and original” of the sitting justices, praise he does not elaborate on at sufficient length to sway doubtful readers. Perhaps surprisingly, he is respectful even to such members of the opposition as flag-burners, William Kunstler, and Ruth Bader Ginsburg, though he naturally reserves the greatest praise for conservative icons like Antonin Scalia.
Fellow travelers will doubtless find something of worth in Starr’s characterization of the modern judiciary; other readers will be unmoved.Pub Date: Oct. 10, 2002
ISBN: 0-446-52756-4
Page Count: 320
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2002
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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