by Kenzaburo Oe ‧ RELEASE DATE: May 6, 1996
The 1994 Nobelist's most recent novel (after Nip the Buds, Shoot the Kids, 1995) is a tense meditation on the life of a stricken woman whose sufferings and subsequent transformation linger hauntingly in the memory of the narrator entrusted with her story. That narrator is recognizably Kenzaburo Oe, a famous novelist whose loving and despairing relationship with his mentally retarded son has repeatedly found its way into his books. She is Marie Kuraki, a divorced university teacher whose academic specialty is Flannery O'Connor. O'Connor's own burdened life and complicated religious faith assume new meaning for Marie when a series of catastrophic misfortunes overtake her. The double suicide of her crippled younger son and his brain-damaged older brother, the death of her ex-husband (just as they were planning to reconcile), and Marie's own battle with breast cancer propel her into a close, if argumentative, relationship with the narrator and his family (begun when they both participate in a hunger strike to honor the memory of the Hiroshima dead and protest the proliferation of nuclear weapons). Marie later involves herself with a (somewhat pretentious) theater troupe, and then a zealous commune that removes to America (her affair with a self-styled religious leader nicknamed ``Uncle Sam'' is a bit too nakedly symbolic), and spends her final days in the Mexican countryside, where she is adored as an incarnation of stoicism. Oe's narrator broods compulsively over the enigma of Marie Kuraki's faith (or lack of it), finding parallels for her fate in literary texts (by Balzac, Dante, Yeats, and Dostoevsky, among others). Her enigmatic forbearance evokes for him the great Russian novelist's beleaguered women characters. Though discursiveness dissipates the story's narrative unity, its impassioned intensity keeps you riveted to the page. Not a fully achieved work of fiction, but, still, an impressively dramatic specimen of the contemporary didactic novel, a genre that Oe has elevated by impressing upon it so powerfully his own personal history and sensibility.
Pub Date: May 6, 1996
ISBN: 4-7700-1986-6
Page Count: 240
Publisher: Kodansha
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1996
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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