The 1994 Nobelist's most recent novel (after Nip the Buds, Shoot the Kids, 1995) is a tense meditation on the life of a stricken woman whose sufferings and subsequent transformation linger hauntingly in the memory of the narrator entrusted with her story. That narrator is recognizably Kenzaburo Oe, a famous novelist whose loving and despairing relationship with his mentally retarded son has repeatedly found its way into his books. She is Marie Kuraki, a divorced university teacher whose academic specialty is Flannery O'Connor. O'Connor's own burdened life and complicated religious faith assume new meaning for Marie when a series of catastrophic misfortunes overtake her. The double suicide of her crippled younger son and his brain-damaged older brother, the death of her ex-husband (just as they were planning to reconcile), and Marie's own battle with breast cancer propel her into a close, if argumentative, relationship with the narrator and his family (begun when they both participate in a hunger strike to honor the memory of the Hiroshima dead and protest the proliferation of nuclear weapons). Marie later involves herself with a (somewhat pretentious) theater troupe, and then a zealous commune that removes to America (her affair with a self-styled religious leader nicknamed ``Uncle Sam'' is a bit too nakedly symbolic), and spends her final days in the Mexican countryside, where she is adored as an incarnation of stoicism. Oe's narrator broods compulsively over the enigma of Marie Kuraki's faith (or lack of it), finding parallels for her fate in literary texts (by Balzac, Dante, Yeats, and Dostoevsky, among others). Her enigmatic forbearance evokes for him the great Russian novelist's beleaguered women characters. Though discursiveness dissipates the story's narrative unity, its impassioned intensity keeps you riveted to the page. Not a fully achieved work of fiction, but, still, an impressively dramatic specimen of the contemporary didactic novel, a genre that Oe has elevated by impressing upon it so powerfully his own personal history and sensibility.
Pub Date: May 6, 1996
ISBN: 4-7700-1986-6
Page Count: 240
Publisher: Kodansha
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1996
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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