The uncomplicated format and artwork make this a sweet mindfulness exercise.
When does a house become a home?
A perky little house is festooned with birds in the morning and stars at night. The window over the pale blue door is as round as the full moon shining brightly in the night sky. The little house is rained upon and snowed upon, and throughout all of this the text refers to it as simply “the house.” Questions prompt readers to talk about the house and what’s around it. But despite the inviting white clapboard siding and the rose tiled roof, the house sits quite alone on its green, flowerless lawn. Round windows, rectangular doors, sunny days, rainy days—nothing seems to be what it takes for the great transformation. Wait, is that a dog? Look, a cat! They’re heading toward the house, and they’re not alone. Five human figures, three tall, two small, and all reminiscent of Playskool toys, enter the house. Soon there are flowerpots by the door, flowers in the garden, and faces smiling through the window—a home! Caldecott and Legacy winner Henkes has put together a charmingly and deceptively simple interactive book that helps young readers identify shapes, delve into the concept of counting, and recognize meteorological phenomena. The soft colors and gentle questions serve to invite participation rather than coerce it. (This book was reviewed digitally.)
The uncomplicated format and artwork make this a sweet mindfulness exercise. (Picture book. 3-7)Pub Date: Sept. 28, 2021
ISBN: 978-0-06-309260-0
Page Count: 32
Publisher: Greenwillow Books
Review Posted Online: July 13, 2021
Kirkus Reviews Issue: Aug. 1, 2021
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
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BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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BOOK REVIEW
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SEEN & HEARD
SEEN & HEARD
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