An entertaining whodunit that finds plenty of toxic rot in a seemingly wholesome setting.
Swiss detectives dig into the cutthroat world of organic farming in Hays’ twisty murder mystery series starter.
The city of Bern—Switzerland’s clean, orderly capital—has a rare moment of mayhem when a policeman named Jonas Pauli is accused of clubbing Simon Etter to death during a riot. Det. Giuliana Linder is assigned to investigate the incident and subtly pressured by police brass to find another culprit to take the heat off Jonas, who swears he hit Simon only once, lightly, and that the second, fatal blow must have been struck by someone else. Giuliana feels torn by the case: She’d like to exonerate Jonas, but she’s also primed to believe the worst because of her immersion in Bern’s counterculture as a student, her leftist journalist husband Ueli’s distrust of all police (except her, she hopes), and her 15-year-old daughter’s arrest for rioting on the night of the murder. Pauli’s story gains credence when Giuliana turns up evidence that Simon was a drug dealer who might have had enemies. But the case takes a swerve when Giuliana’s colleague Renzo Donatelli links it to the murder of an organic farmer named Frank Schwab, who was found beaten, smothered to death, and drenched in pesticide—a substance the doctrinaire Frank never allowed on his farm. The prime suspect is a suspicious young man known as Simu, who was often around Frank’s farm—and turns out to be someone connected to Giuliana’s other case. The plot thickens as Giuliana ties Simon to an Albanian drug kingpin and Renzo probes the harsh economics of organic farming. Meanwhile, Giuliana and the handsome Renzo struggle to fend off their intensifying desire for each other as their marriages fray.
This first installment of Hays’ Linder and Donatelli mystery series steeps readers in intricate procedural details, such as turning horrific photos of a dead victim’s bloated face into recognizable artist’s sketches; piecing together timelines to verify alibis; and even sussing out the niceties of organic certification and agricultural subsidies. Hays’ plotting is first-rate as she keeps the sleuthing believable and offers up earned revelations, which make sense of the clues even when they go in unexpected directions. Her punchy, evocative prose looks beneath Switzerland’s veneer of antiseptic quaintness to find grungy atmospherics, as in a description of an informant: “A piercing through the nasal septum reminded her of snot dangling from each nostril, and tattoos of thorny vines covered what she could see of his arms. Steel plugs had stretched his earlobes into gaping tunnels.” The author is equally good at painting the inner worlds of her characters, from overworked cops and worried parents to fog-brained criminals: “Christ, he was blitzed....The shots of schnapps—that’d been his mistake. Still, he’d managed; he’d managed everything. Things were set up the way he wanted them. And if he’d messed up somewhere…well, it could be fixed. Later.” The result is an engrossing page-turner.
An entertaining whodunit that finds plenty of toxic rot in a seemingly wholesome setting.Pub Date: April 19, 2022
ISBN: 978-1-64506-046-8
Page Count: 358
Publisher: Seventh Street Books
Review Posted Online: Aug. 9, 2022
Kirkus Reviews Issue: Oct. 1, 2022
Review Program: Kirkus Indie
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
High art meets low life in a tale a lot more sympathetic to the latter.
Someone is stalking the streets of Lt. Eve Dallas’s New York, intent on bringing new life to sex workers by snuffing out their old ones.
In 2061, prostitutes are called licensed companions, and that’s Leesa Culver’s job description when she’s accosted by a plausible-looking artist who wants to hire her as a model for the night. Before the night is over, she’s been drugged, strangled, costumed, and posed as an uncanny replica of Vermeer’s Girl With a Pearl Earring. The shock of the crime is deepened by the murder the following night of licensed companion Bobby Ren, whose body is discovered at an art gallery entrance costumed and posed as Gainsborough’s Blue Boy. The killer clearly has an obsessive agenda, a rapid-fire timetable, and access to unlimited financial resources that have allowed him to commission expensive custom-made outfits for the victims. This last detail both marks his power and points to the way Dallas, her gazillionaire husband, Roarke, and her sidekick, Det. Delia Peabody, will track him down by methodically narrowing the field of consumers who’ve purchased the costly costumes. After identifying the guilty party two-thirds of the way through the story, they’ll still face an uphill battle convicting a killer with no conscience, no respect for the law, and a budget that would easily cover the means to jump bail, remove his ankle tracker, and hire a private jet to escape to a foreign land with no extradition treaty. Robb keeps it all consistently absorbing by sweating every procedural detail along with her heroine. Only Dallas’ climactic interrogation of her prisoner is a letdown, because it’s perfectly obvious how she’s going to wangle a confession out of him.
High art meets low life in a tale a lot more sympathetic to the latter.Pub Date: Sept. 2, 2025
ISBN: 9781250370822
Page Count: 368
Publisher: St. Martin's
Review Posted Online: May 16, 2025
Kirkus Reviews Issue: June 15, 2025
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