A memorable collection that, although occasionally predictable, sheds light on a little-explored section of America.
In this debut collection of short stories, Carson explores the daily lives, loves and frustrations of two tight-knit Mormon families in 1970s Maryland.
The first story of the collection, “The Gilded Door,” introduces the small town of Boxford in 1974. When the local theater begins showing XXX-rated movies, the local Mormon ladies are shocked. They decide to present wholesome entertainment two days a month to prove to the theater’s owner that he can make money without showing porno; however, as Ada Runyon discovers, few things are more predictable than carnal desire. The next story, “ ’Atta Boy” (which won the 2006 Association for Mormon Letters’ award for short fiction), follows Latham, Ada’s husband, a history professor who longs to be the next president of the local Mormon church. Latham spends a day wringing his hands and waiting for the phone call that will change his life, but he discovers nothing more than bitterness and the realization of his own inadequacy. Although these two stories present a multifaceted view of what it means to be Mormon, they don’t quite do justice to the rest of the collection. They present a much more simplistic view of Mormons vs. non-Mormons than the other stories, which use ambiguity to their advantage. Standouts include “Gypsy Holiday,” in which Ada’s anxiety over family friends not coming to Thanksgiving devolves into a stark admission of her loneliness and inability to connect with outsiders; “A Little Five-Minute Thrown-Together Something,” which lays bare the squirming insecurities of teenage crushes; and “Flirting Lessons,” which sees Ada’s teenage daughter, Ginni, taking a cross-country road trip with two friends that leads to panic when one goes missing. These stories are unexpected in their subtlety as they explore the reality of what it means to be Mormon—and human. From Ada—who notices that her friend Ruthalin is “reaching the huge-and-miserable stage weeks earlier with baby #10 than she had back with baby #6”—to Latham, who knows he’s stereotyped as “Joe Mormon,” to the young woman who doesn’t “want to be caught fussing with her hair, since she’d figured out, by now, that she was not the kind of person anybody would want to look at,” the characters here must confront the unhappiness and disappointment of life as well as their own uncertain feelings toward their faith.
A memorable collection that, although occasionally predictable, sheds light on a little-explored section of America.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Ribbon Wand Press
Review Posted Online: Oct. 20, 2014
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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