by Kristen Iversen ‧ RELEASE DATE: June 5, 2012
Superbly crafted tale of Cold War America’s dark underside.
A harrowing account of Colorado’s Rocky Flats plutonium plant by a woman who grew up nearby.
In 1951, in a cow pasture outside Denver, the U.S. government broke ground for a secret Cold War nuclear weapons facility that would manufacture plutonium triggers for atomic bombs. Owned by the Atomic Energy Commission, the plant produced more than 70,000 fissionable triggers and considerable radioactive and toxic waste. Iversen (Creative Writing/Univ. of Memphis; Molly Brown: Unraveling the Myth, 1999) grew up in a new suburban development three miles from the plant, totally unaware—like her family’s neighbors—of what went on there. In a gripping narrative that intersperses stories of the Rocky Flats plant and her family life, the author describes how an astonishing habit of silence flourished in the community, which would not permit suspicions about the cluster of gray concrete buildings to shatter its idyllic 1950s suburban innocence. The same silence reigned at home, where Iversen and her siblings were expected to overlook their father’s alcoholism and their mother’s pill popping. In 1969, after a second plutonium fire, the AEC admitted that Rocky Flats worked with plutonium but claimed this posed no threat to the public, a position the government maintained for years. This exquisitely researched book details official efforts to hide the plant’s toxic dangers; health researchers’ efforts to expose a rising incidence of cancer deaths; massive protests involving Daniel Ellsberg and others aimed at closing the plant; the 1989 joint FBI-EPA investigation of environmental crimes at Rocky Flats; and local residents’ later tumultuous class-action court battle. In 1990, Iversen took a secretarial job at the plant and began gathering information for this extraordinary book. “Nearly every family we grew up with has been affected by cancer in some way,” she writes. In 2007, after a cleanup, most of Rocky Flats was set aside for use as a wildlife refuge.
Superbly crafted tale of Cold War America’s dark underside.Pub Date: June 5, 2012
ISBN: 978-0-307-95563-0
Page Count: 432
Publisher: Crown
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: May 15, 2012
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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