SLEEP WELL, MY LADY

Emma Djan, the cop-turned–private eye who waded through every swamp of corruption in Ghana in her debut, The Missing American (2020), investigates a second case that’s much more intimate.

The law may believe that fashion mogul Lady Araba Tagoe was murdered by her chauffeur, Kweku-Sam, but her aunt, Dele Tetteyfio, isn’t having any of it. Convinced that the Ghana Police Service has beaten a confession out of Kweku-Sam just so that they won’t have to figure out how the real killer could have penetrated Araba’s exclusive gated community without raising any hackles, she wants Yemo Sowah’s agency to look into the case—assuming of course that she can get a 10% discount—preferably by finding evidence against Araba’s sometime lover, Augustus Seeza. Augustus is almost too obvious a suspect, a TV news producer and interviewer coddled by his parents, High Court justice Julius Seeza and his wife, and separated from heiress Bertha Longdon, the spouse who’s had it up to here with his drinking, his affairs, and his constant promises to turn over a new leaf. And it certainly looks suspicious that the forensic evidence Sgt. Isaac Boateng collected at the murder scene was never processed by the police lab and Boateng himself was reassigned from Homicide to Domestic Violence. But the case turns out to be more complex than Auntie Dele imagines, and there’s no guarantee that she’ll be pleased with the results Emma and her colleagues dig up by assuming false identities and going undercover at every waking moment.

A gripping setup, some workaday sleuthing, and a neatly turned solution.