Intriguing for an adult familiar with the real Julia and perhaps for the perceptive child who will understand that it’s not...
A mere hint of Julia Child’s collaboration with Simone “Simca” Beck informs this look at how following one’s passion can require the fearless enthusiasm of childhood.
Though in reality Julia and Simca met as adults, here Julia is very young when she has a taste of sole meunière and falls in love with French cooking. She and friend Simca are just two young girls who meet on weekends to “shop at the market and gather new ideas and recipes.” They form a sisterly bond and imagine cooking together always. Morstad’s lively art uses Photoshop, ink and gouache, telegraphing a suggestion of the ink-and-watercolor work of mid-20th-century artists like Sasek and Bemelmans. Maclear manages—just—to avoid being directly didactic when, concerned about the sober and dreary adults around them, Julia and Simca prepare “recipes for growing young.” Still, there’s a rich dollop of sentimentality in the way that the two young cooks bring “all sorts of big, busy people” to a remembrance of childhood pleasures. The result is a lighthearted, if slightly obscure allegory about inspiration and its gifts.
Intriguing for an adult familiar with the real Julia and perhaps for the perceptive child who will understand that it’s not about how old you are, or about what you cook, but about what you bring to the table. (Picture book. 4-8)Pub Date: July 8, 2014
ISBN: 978-1-77049-449-7
Page Count: 32
Publisher: Tundra Books
Review Posted Online: May 3, 2014
Kirkus Reviews Issue: May 15, 2014
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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