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SAIL AWAY

Like Hughes, Bryan, at 91, can also boast, “I’m still pulling.” (Picture book/poetry. 5-12)

Hughes’ pen is paired to Bryan’s sculpting scissors, making a rich, poetic picture book indeed.

“Literature is a big sea full of many fish. I let down my nets and pulled. I’m still pulling.” Thus ends Langston Hughes’ autobiography, The Big Sea (1945), and here begins the subject of Bryan’s compilation. He chooses both familiar poems, such as “The Negro Speaks of Rivers,” and less-well-known ones, such as “Sailor,” to explore all things aquatic, both domestic and international. Reflecting Hughes’ adventures seeing the world via its waterways, the poems feature mermaids, waves, bridges, meeting merchants from all over, and more. Bryan’s intricate and colorful cut-paper collage illustrations breathe new life into the poems. The artist also pays homage to his mother, including photographs of her sewing and embroidering scissors on the endpapers—the same scissors he used to cut the images for these illustrations. Readers don’t have to have ever heard Bryan’s unforgettable, theatrical recitation of “My People” or other Hughes poems to understand the depth of the artist’s appreciation of and admiration for Hughes and his poetry: he opens the poems up visually here in the same way that he opens them auditorily when he performs them live.

Like Hughes, Bryan, at 91, can also boast, “I’m still pulling.” (Picture book/poetry. 5-12)

Pub Date: Sept. 1, 2015

ISBN: 978-1-4814-3085-2

Page Count: 40

Publisher: Atheneum

Review Posted Online: June 28, 2015

Kirkus Reviews Issue: July 15, 2015

Awards & Accolades

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  • Kirkus Reviews'
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  • New York Times Bestseller

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THE WILD ROBOT

From the Wild Robot series , Vol. 1

Thought-provoking and charming.

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  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller

A sophisticated robot—with the capacity to use senses of sight, hearing, and smell—is washed to shore on an island, the only robot survivor of a cargo of 500.

When otters play with her protective packaging, the robot is accidently activated. Roz, though without emotions, is intelligent and versatile. She can observe and learn in service of both her survival and her principle function: to help. Brown links these basic functions to the kind of evolution Roz undergoes as she figures out how to stay dry and intact in her wild environment—not easy, with pine cones and poop dropping from above, stormy weather, and a family of cranky bears. She learns to understand and eventually speak the language of the wild creatures (each species with its different “accent”). An accident leaves her the sole protector of a baby goose, and Roz must ask other creatures for help to shelter and feed the gosling. Roz’s growing connection with her environment is sweetly funny, reminiscent of Randall Jarrell’s The Animal Family. At every moment Roz’s actions seem plausible and logical yet surprisingly full of something like feeling. Robot hunters with guns figure into the climax of the story as the outside world intrudes. While the end to Roz’s benign and wild life is startling and violent, Brown leaves Roz and her companions—and readers—with hope.

Thought-provoking and charming. (Science fiction/fantasy. 7-11)

Pub Date: April 5, 2016

ISBN: 978-0-316-38199-4

Page Count: 288

Publisher: Little, Brown

Review Posted Online: Jan. 19, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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ADA TWIST AND THE PERILOUS PANTS

From the Questioneers series , Vol. 2

Adventure, humor, and smart, likable characters make for a winning chapter book.

Ada Twist’s incessant stream of questions leads to answers that help solve a neighborhood crisis.

Ada conducts experiments at home to answer questions such as, why does Mom’s coffee smell stronger than Dad’s coffee? Each answer leads to another question, another hypothesis, and another experiment, which is how she goes from collecting data on backyard birds for a citizen-science project to helping Rosie Revere figure out how to get her uncle Ned down from the sky, where his helium-filled “perilous pants” are keeping him afloat. The Questioneers—Rosie the engineer, Iggy Peck the architect, and Ada the scientist—work together, asking questions like scientists. Armed with knowledge (of molecules and air pressure, force and temperature) but more importantly, with curiosity, Ada works out a solution. Ada is a recognizable, three-dimensional girl in this delightfully silly chapter book: tirelessly curious and determined yet easily excited and still learning to express herself. If science concepts aren’t completely clear in this romp, relationships and emotions certainly are. In playful full- and half-page illustrations that break up the text, Ada is black with Afro-textured hair; Rosie and Iggy are white. A closing section on citizen science may inspire readers to get involved in science too; on the other hand, the “Ode to a Gas!” may just puzzle them. Other backmatter topics include the importance of bird study and the threat palm-oil use poses to rainforests.

Adventure, humor, and smart, likable characters make for a winning chapter book. (Fiction. 6-9)

Pub Date: April 16, 2019

ISBN: 978-1-4197-3422-9

Page Count: 144

Publisher: Amulet/Abrams

Review Posted Online: Jan. 27, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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