A visual paean to Hughes’s enduring poem, Lewis’s images make a personal connection to a taproot of feelings. The 12 lines of the poem, considered Hughes’s signature song of the Harlem Renaissance, are poignantly expressed through the artist’s trademark watercolors, which depict in successive double-page spreads black children playing by the Euphrates, a mother and child sleeping by the Congo and fishermen with a net waist-deep in the Nile. The penultimate image, also depicted on the cover, brings the poem into the present with a grandfather and child fishing by a modern Mississippi River bridge. Lewis states in a concluding note that he nearly drowned as a child, and his paintings are awash with emotion. While the picture-book format targets the book for young readers, the word “Negro” in the title may require some context. It has the capacity to reach far above the normal picture-book ages, however, and should be considered for older collections. The beautifully reverent, serene cover image will persuade all to look inside. (Picture book. 5 & up)
