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WHEN THEY WERE BOYS

THE TRUE STORY OF THE BEATLES' RISE TO THE TOP

A shimmering, occasionally breathless report that should fill in many of the cracks in readers’ knowledge of pop-music...

A spirited jump down the rabbit hole to the early years of what would become the Beatles, from TV news anchor and Beatles chronicler Kane (Lennon Revealed, 2005, etc.).

The author details the many characters and moments in time that shaped the Beatles into the band that rocketed onto American shores in 1964. Despite being occasionally starry-eyed and corny, Kane writes with an evocative clarity, attention to detail and familiarity. He transports readers back to 1950s Liverpool and turn-of-the-decade Hamburg, to the childhood homes of the Fab Four as well as original drummer Pete Best and original bassist Stuart Sutcliffe. Kane reminds us that the Quarrymen, the Silver Beetles, the Silver Beatles and the early Beatles were a dance band: Fans went to a concert to move, to dance, and at that, the Beatles excelled long before all the screaming. But it was a serious grind to get to the point where they were finally filling clubs, and their first visit to Hamburg in 1960 was one of those near-turning points, when the grind had ground them down, the living conditions vile—they slept for months next to the toilet (John, after popping one speed pill over the line: “I would be wide awake staring around, wondering if the dirt would cake up inside me”)—the payback not worth the effort. The Beatles almost dissolved before they had a chance to change the course of popular music. Kane takes special care to get the characters right, whether they are remembered or forgotten, fleshing them out without bogging down the story. Indeed, one of the pleasures of this book is its brightness, written not just for the converted, but for anyone who has even a vague interest in this slice of history.

A shimmering, occasionally breathless report that should fill in many of the cracks in readers’ knowledge of pop-music history.

Pub Date: Aug. 1, 2013

ISBN: 978-0-7624-4014-6

Page Count: 416

Publisher: Running Press

Review Posted Online: June 24, 2013

Kirkus Reviews Issue: July 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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