by Laura Gehl ; illustrated by Olga Ivanov & Aleksey Ivanov ‧ RELEASE DATE: Jan. 26, 2023
Not quite perfect by any means but a serviceable Passover story.
Things don’t go as expected at an eagerly anticipated seder.
Dad has good and bad news for Ruby. The good: Their family will host the first seder this year. The bad: Their family will host the first seder. Why is this bad news? Bubbe broke her leg, and hosting is a lot of work. But Ruby can’t wait to start. All must be perfect for Bubbe. But little brother Benny messes everything up in his efforts to help—it’s his fault the seder won’t be perfect, Ruby moans. At one point, Dad points out Ruby’s own mistakes, making her even more upset. But eventually, everything gets done, Benny is assigned a doable task to perform at the seder, and the guests arrive. But what’s this? Not-quite-perfect surprises occur—and everyone loves them! Bubbe, in a leg cast, even asks Ruby to help her prepare “a not-quite-perfect seder” next year—and Ruby generously credits Benny for the seder’s nonperfect success. This lightweight, mildly humorous tale makes the clichéd point that all will work out well if you simply try your best—a good point that feels rushed in the telling. The illustrations are colorful and cheery, but characters’ faces are bland and not individualized. Dark-haired Ruby’s family seems to be a single-parent household. Ruby and most of the family members are light-skinned; a child seder guest has dark skin. (This book was reviewed digitally.)
Not quite perfect by any means but a serviceable Passover story. (note about Passover) (Picture book. 4-7)Pub Date: Jan. 26, 2023
ISBN: 9780807571699
Page Count: 32
Publisher: Whitman
Review Posted Online: Dec. 23, 2022
Kirkus Reviews Issue: Jan. 15, 2023
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by Alice Walstead ; illustrated by Andy Elkerton ‧ RELEASE DATE: Aug. 2, 2022
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
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by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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