by Laura Thompson ‧ RELEASE DATE: Nov. 6, 2018
This meticulously researched account of a fatal love affair carefully questions the nature of guilt and capital punishment...
An exhaustive look into the passionate love affair that led to one of the most infamous murders in 1920s England.
Moving beyond the standard courtroom drama, Somerset Maugham Award winner Thompson (Agatha Christie: A Mysterious Life, 2018, etc.) painstakingly details the life and death of Edith Thompson, an Essex woman who gained notoriety in 1922 as she and her lover stood trial for the murder of her husband. The secret romance between Edith and Freddy Bywaters captivated and shocked a nation, as her love letters were introduced as evidence during their trial. For more than a year, Edith had cherished what few precious moments she could spend alone with her younger lover. The bulk of the narrative focuses on these brief trysts as described in Edith’s writing, although the chronology of events becomes a bit knotted as the story reaches its tragic end. There was little doubt of Bywaters' guilt when he was accused of fatally stabbing Edith's husband, but as the intimate details of her affair became public, her role in the death of her husband was called into question. Although never intended for an audience, Edith’s love letters, which “were perceived to redefine the concept of shamelessness,” earned her lasting notoriety while also sealing her fate. Female sexuality, adultery, abortion: Edith wrote honestly about the issues affecting her and many other women but were deemed too taboo to discuss openly. As elaborately chronicled by the author, who displays a profound sympathy for her subject, Edith's own words were enough to condemn her in the court of public opinion well before she was sentenced to death in a court of law.
This meticulously researched account of a fatal love affair carefully questions the nature of guilt and capital punishment in polite society, offering up a more profound lesson than is likely to be found in a typical true crime novel.Pub Date: Nov. 6, 2018
ISBN: 978-1-68177-871-6
Page Count: 448
Publisher: Pegasus
Review Posted Online: Aug. 20, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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