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GIZELLE'S BUCKET LIST

MY LIFE WITH A VERY LARGE DOG

A tender, heartfelt story.

A 20-something’s memoir about the English mastiff that became her “best friend [and] so much more.”

Watt was a college sophomore when her mother took her to shop for a dog. Though “we promised ourselves we were just going to look,” by the time they drove home, they had bought an English mastiff puppy the author named Gizelle. She knew that the dog was intended to partially make up for her mother’s alcoholism, but she could not stop herself from falling in love with Gizelle, nor could she stop hoping that the dog was a sign that her “best friend” of a mother would finally get sober. Watt eventually took the dog to live with her while she attended the University of Tennessee, where Gizelle became her 160-pound running partner and protector. At 23, the desire to live in a place that was more “energetic, gritty [and] cosmopolitan” took Watt from Knoxville to Manhattan. After securing a small apartment, she took in Gizelle, whose size earned her names like “Cujo” and “Godzilla.” Watt then began working her way up from waitress to public relations assistant and found companionship with a good but dull man who never offered the same emotional satisfaction as Gizelle. As she watched her mother slip away from her and deeper into addiction, Watt discovered that her dog had bone cancer. Determined to make the remaining days of her canine best friend’s life count, she created a “bucket list” of all the things she wanted to experience with her dog before she died—e.g., riding in a boat together or “watch[ing] the snow fall on the beach.” As much a story about growing up as about letting go of things that cannot be changed, Watt’s book is also a reminder of the profound healing connection that can exist between humans and the pets they love.

A tender, heartfelt story.

Pub Date: March 7, 2017

ISBN: 978-1-5011-2365-8

Page Count: 240

Publisher: Simon & Schuster

Review Posted Online: Dec. 26, 2016

Kirkus Reviews Issue: Jan. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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