Though ambitious, this Gothic misses the mark.
Four orphans employ highly unusual talents to solve a series of murders in 1930s New York City.
Dumfrey’s Dime Museum of Freaks, Oddities, and Wonders displays mummies, wax figures, depictions of grisly crime scenes, and now an amazing shrunken head, all to titillate the public. A giant, a fat lady, an elephant man, and others demonstrate their skills and amaze the customers. But the tale is centered on young Sam, Pippa, Thomas, and Max, children whose peculiar abilities set them apart from the world while joining them together into a kind of family unit. The action begins when a customer dies after seeing the shrunken head. When the head is then stolen, headlines scream the events, and suspicion falls on Dumfrey and the children. Trying to save him and the only home they know, the children find themselves ever more deeply enmeshed in difficulties as the bodies mount up and danger stalks them. The plot abounds with action and mystery, but it is filled with red herrings and detours as well as oft-repeated hints about the identity of the master villain. The four orphans’ characters develop very slowly, and their interactions are repetitive and predictable, while the supporting characters, though large in number, are almost entirely one-dimensional. Much of the tale feels self-consciously trope-dependent, too reminiscent of other works and with not enough original material to carry the day.
Though ambitious, this Gothic misses the mark. (Historical fiction. 9-12)Pub Date: Sept. 29, 2015
ISBN: 978-0-06-227081-8
Page Count: 368
Publisher: Harper/HarperCollins
Review Posted Online: June 5, 2015
Kirkus Reviews Issue: June 15, 2015
Charming, poignant, and thoughtfully woven.
An aspiring scientist and a budding artist become friends and help each other with dream projects.
Unfolding in mid-1980s Sacramento, California, this story stars 12-year-olds Rosalind and Benjamin as first-person narrators in alternating chapters. Ro’s father, a fellow space buff, was killed by a drunk driver; the rocket they were working on together lies unfinished in her closet. As for Benji, not only has his best friend, Amir, moved away, but the comic book holding the clue for locating his dad is also missing. Along with their profound personal losses, the protagonists share a fixation with the universe’s intriguing potential: Ro decides to complete the rocket and hopes to launch mementos of her father into outer space while Benji’s conviction that aliens and UFOs are real compels his imagination and creativity as an artist. An accident in science class triggers a chain of events forcing Benji and Ro, who is new to the school, to interact and unintentionally learn each other’s secrets. They resolve to find Benji’s dad—a famous comic-book artist—and partner to finish Ro’s rocket for the science fair. Together, they overcome technical, scheduling, and geographical challenges. Readers will be drawn in by amusing and fantastical elements in the comic book theme, high emotional stakes that arouse sympathy, and well-drawn character development as the protagonists navigate life lessons around grief, patience, self-advocacy, and standing up for others. Ro is biracial (Chinese/White); Benji is White.
Charming, poignant, and thoughtfully woven. (Fiction. 9-12)Pub Date: Jan. 12, 2021
ISBN: 978-0-06-300888-5
Page Count: 304
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: Oct. 26, 2020
Kirkus Reviews Issue: Nov. 15, 2020
BOOK REVIEW
A deftly told story that dramatizes how Danes appointed themselves bodyguards—not only for their king, who was in the habit...
The author of the Anastasia books as well as more serious fiction (Rabble Starkey, 1987) offers her first historical fiction—a story about the escape of the Jews from Denmark in 1943.
Five years younger than Lisa in Carol Matas' Lisa's War (1989), Annemarie Johansen has, at 10, known three years of Nazi occupation. Though ever cautious and fearful of the ubiquitous soldiers, she is largely unaware of the extent of the danger around her; the Resistance kept even its participants safer by telling them as little as possible, and Annemarie has never been told that her older sister Lise died in its service. When the Germans plan to round up the Jews, the Johansens take in Annemarie's friend, Ellen Rosen, and pretend she is their daughter; later, they travel to Uncle Hendrik's house on the coast, where the Rosens and other Jews are transported by fishing boat to Sweden. Apart from Lise's offstage death, there is little violence here; like Annemarie, the reader is protected from the full implications of events—but will be caught up in the suspense and menace of several encounters with soldiers and in Annemarie's courageous run as courier on the night of the escape. The book concludes with the Jews' return, after the war, to homes well kept for them by their neighbors.
A deftly told story that dramatizes how Danes appointed themselves bodyguards—not only for their king, who was in the habit of riding alone in Copenhagen, but for their Jews. (Historical fiction. 9-12)Pub Date: April 1, 1989
ISBN: 0547577095
Page Count: 156
Publisher: Houghton Mifflin
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: March 15, 1989
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