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BIRDMEN

THE WRIGHT BROTHERS, GLENN CURTISS, AND THE BATTLE TO CONTROL THE SKIES

A powerful story that contrasts soaring hopes with the anchors of ego and courtroom.

At the dawn of powered flight, the warfare for the air was as intense, if not as sanguinary, as war in the air would one day become.

Goldstone—author or co-author of more than a dozen fiction and nonfiction titles (Inherently Unequal: The Betrayal of Equal Rights by the Supreme Court, 1965–1903, 2010, etc.)—returns with a story little known to those unversed in aviation history: the battle Orville and Wilbur Wright fought with Glenn Curtiss to dominate the aviation market in the early years of the 20th century. Both would win and lose. After a brief prologue, Goldstone returns to the early theories and attempts at manned flight—Aristotle, Leonardo da Vinci and Galileo have cameos. The author then leaps to the late 19th century, then swiftly to Kitty Hawk, where the Wright brothers would achieve their immortality in 1903. He takes us through their design innovations and their false starts and hopes, and despite his patent admiration for the brothers, Goldstone also describes a surprising intransigence and even truculence in them. He then shifts focus to Curtiss (and ping-pongs back and forth between his two subjects the rest of the way), who was a brilliant designer, as well. The author describes the controversy between his two principals: Early in their relationship, a relationship that moved from amicable to hostile, did Curtiss steal ideas? The author then glides above history, directing our attention to the phenomenon of the air show, aerial competitions, the innovations in design, the crashes, the deaths and the slow emergence of women aviators. He also describes the grotesque determination of spectators to retrieve pieces of wreckage, even moments after a fatal crash. The Wright brothers became embroiled in countless lawsuits with Curtiss and others as history inevitably flew away from them.

A powerful story that contrasts soaring hopes with the anchors of ego and courtroom.

Pub Date: May 6, 2014

ISBN: 978-0-345-53803-1

Page Count: 448

Publisher: Ballantine

Review Posted Online: March 3, 2014

Kirkus Reviews Issue: March 15, 2014

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2015


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  • IndieBound Bestseller


  • Pulitzer Prize Finalist


  • National Book Award Winner

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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