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MONSIEUR MARCEAU

ACTOR WITHOUT WORDS

An exceptional life; a stunning achievement.

Audiences thrilled to his mesmerizing performances, in which he spoke through his expressive body without uttering a single word.

Marceau was the world’s most popular and beloved mime. Born in France, he grew up watching and imitating Charlie Chaplin, star of silent films. World War II intruded and turned the Jewish teen into a war hero. At war’s end, he created Bip, his alter ego, who with makeup and costume “walks against the wind, but there is no wind.” Schubert’s spare text is both poetic and dramatic. DuBois’s oil paintings are brilliantly executed and saturated, with textured nuances. Images of Marceau fly across the page, delighting the eye, while close-ups highlight his extraordinary facial expressions. Ordinary paper morphs into stage settings as Marceau dances against white or black backgrounds. One double-page spread depicts a costumed fish with sinuously expressive hands and feet. Another presents seven views of Marceau in movement, updating a series of views of Marceau as a child. The pages set during World War II, in contrast, are a somber palette. Don’t turn the pages too quickly; rather stop and feel the joie de vivre with which the master filled people of all ages all over the world.

An exceptional life; a stunning achievement.   (afterword, source notes, further reading) (Picture book biography. 4-10)

Pub Date: Sept. 4, 2012

ISBN: 978-1-59643-529-2

Page Count: 40

Publisher: Neal Porter/Flash Point/Roaring Brook

Review Posted Online: June 19, 2012

Kirkus Reviews Issue: July 15, 2012

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THE AMAZING AGE OF JOHN ROY LYNCH

A picture book worth reading about a historical figure worth remembering.

An honestly told biography of an important politician whose name every American should know.

Published while the United States has its first African-American president, this story of John Roy Lynch, the first African-American speaker of the Mississippi House of Representatives, lays bare the long and arduous path black Americans have walked to obtain equality. The title’s first three words—“The Amazing Age”—emphasize how many more freedoms African-Americans had during Reconstruction than for decades afterward. Barton and Tate do not shy away from honest depictions of slavery, floggings, the Ku Klux Klan, Jim Crow laws, or the various means of intimidation that whites employed to prevent blacks from voting and living lives equal to those of whites. Like President Barack Obama, Lynch was of biracial descent; born to an enslaved mother and an Irish father, he did not know hard labor until his slave mistress asked him a question that he answered honestly. Freed by the Emancipation Proclamation, Lynch had a long and varied career that points to his resilience and perseverance. Tate’s bright watercolor illustrations often belie the harshness of what takes place within them; though this sometimes creates a visual conflict, it may also make the book more palatable for young readers unaware of the violence African-Americans have suffered than fully graphic images would. A historical note, timeline, author’s and illustrator’s notes, bibliography and map are appended.

A picture book worth reading about a historical figure worth remembering. (Picture book biography. 7-10)

Pub Date: April 1, 2015

ISBN: 978-0-8028-5379-0

Page Count: 50

Publisher: Eerdmans

Review Posted Online: Feb. 2, 2015

Kirkus Reviews Issue: Feb. 15, 2015

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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