A superb debut that exposes the consequences of the choices we make and legacy’s sometimes excruciating embrace.
Secrets and lies suffuse generations of one Pennsylvania family, creating a vicious cycle of cruelty in this historical novel that spans the early 1900s to the 1960s.
Raised in a crumbling New England mansion by four women with personalities as split as a cracked mirror, young Francis Grayson has an obsessive need to fix them all. There’s his mother, distant and beautiful Magdalene; his disfigured, suffocating Aunt Stella; his odious grandmother; and the bane of his existence, his abusive and delusional Aunt Lothian. For years, Francis plays a tricky game of duck and cover with the women, turning to music to stay sane. He finds a friend and mentor in Aidan Madsen, schoolmaster, local Revolutionary War historian, musician and keeper of the Grayson women’s darkest secrets. In a skillful move by Fullbright, those secrets are revealed through the viewpoints of three different people—Aidan, Francis and Francis’ stepdaughter, Elyse—adding layers of eloquent complexity to a story as powerful as it is troubling. While Francis realizes his dream of forming his own big band in the 1940s, his success is tempered by the inner monster of his childhood, one that roars to life when he marries Elyse’s mother. Elyse becomes her stepfather’s favorite target, and her bitterness becomes entwined with a desire to know the real Francis Grayson. For Aidan’s part, his involvement with the Grayson family only deepens, and secrets carried for a lifetime begin to coalesce as he seeks to enlighten Francis—and subsequently Elyse—of why the events of so many years ago matter now. The ugliness of deceit, betrayal and resentment permeates the narrative, yet there are shining moments of hope, especially in the relationship between Elyse and her grandfather. Ultimately, as more of the past filters into the present, the question becomes: What is the truth, and whose version of the truth is correct? Fullbright never untangles this conundrum, and it only adds to the richness of this exemplary novel.
A superb debut that exposes the consequences of the choices we make and legacy’s sometimes excruciating embrace.Pub Date: Jan. 1, 2012
ISBN: N/A
Page Count: -
Publisher: Kurti Publishing
Review Posted Online: Sept. 12, 2011
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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