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LEENA KROHN: COLLECTED FICTION

An extraordinary writer who deserves to be better known to readers in English—which, thanks to this excellent collection, is...

A welcome gathering of works by Finnish writer Krohn, a brilliant conjurer of possible worlds.

The narrator of Krohn’s early novel Doña Quixote and Other Citizens: A Portrait, a lovely reimagining of Cervantes, is a world-weary stranger in a strange land of rough stone and crowded towers who cannot bear the thought of living “on this rubbish-heap of a star for another thirty or forty or fifty years.” Doña Quixote, seer more than dreamer, becomes her Virgil in a place whose inhabitants bear names such as The Wader, The Looking-Glass Boy, and The Incurable One. In such a place, Doña Quixote sagely observes, “everyone has to be Hamlet.” Krohn’s imagined, ghostly worlds form the setting of other books gathered here, including Tainaron: Mail from Another City (1985) and Gold of Ophir (1987); these unfold in brief episodes, some just a few paragraphs long, that embrace improbable geometries and physics, worlds of “insignificant protuberances that were at first hardly distinguishable from the surrounding sandy plain,” say, that conjure up the hallucinatory closing pages of Poe’s tale of Arthur Pym. Krohn’s work has been likened to Ursula LeGuin’s, though often it is more reminiscent of Calvino, Borges, and Lem, layered in with foreboding bits of Lovecraft. Not exactly science fiction, not exactly fantasy, but some hybrid of those genres blended with literary fiction, Krohn’s tales often involve the exploration of consciousness both human and animal—and, at times, that of machines—against myth-tinged backgrounds, as with one story whose protagonist is the offspring of a human mother and “one of the first multi-species hybrids.” Philosophically nimble, those stories trade in wonderment: here time twists so that a figure “no longer owned anything, not even her own past,” while there a character comes to each word in her native language as if encountering it for the first time—though that may just be the effects of a dose of datura.

An extraordinary writer who deserves to be better known to readers in English—which, thanks to this excellent collection, is now possible.

Pub Date: Dec. 8, 2015

ISBN: 978-0-9863177-2-9

Page Count: 890

Publisher: Cheeky Frawg

Review Posted Online: Oct. 7, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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