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EVERYBODY SAYS SHALOM

The sites are well-chosen and terrifically multicultural. Readers may like them even better if they ignore the fragmented...

This introduction to Israel is a book that can be read out of order.

It’s easy to spot the moment when this picture book turns into a rhyming dictionary. After several pages of rhyming verse, the syntax shifts, abruptly, from couplets (“Everybody says shalom / passing by a golden dome”) to a staccato list of words (“Gazing. / Grazing. // Fishing. / Wishing”). There are two types of rhyming words in this book. Some readers will see coming: “Right to left / and left to right. // In the morning… // late at night.” Other rhymes are so unpredictable they’re nearly random: “Haying. // Praying.” There’s no plot to speak of, except that the characters take a trip to Israel and fly home afterward. The book doesn’t quite work as a story or as poetry, but it does make a pretty good travel guide. The family visits more than a dozen sites in Israel (the highlights are listed in an appendix at the back), and the book makes them look very appealing. Shipman’s Raschka-esque paintings have as many colors as a fruit bowl. Observant readers will also notice a pink gecko hiding on just about every page.

The sites are well-chosen and terrifically multicultural. Readers may like them even better if they ignore the fragmented rhymes on top of the pictures. (Picture book. 3-7) (They include a shuk and a Baha’i shrine.) Readers may like them even better if they ignore the fragmented rhymes on top of the pictures(Picture book. 3-7)

Pub Date: Jan. 27, 2015

ISBN: 978-0-385-38336-3

Page Count: 40

Publisher: Random House

Review Posted Online: Oct. 5, 2014

Kirkus Reviews Issue: Oct. 15, 2014

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BECAUSE I HAD A TEACHER

A sweet, soft conversation starter and a charming gift.

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A paean to teachers and their surrogates everywhere.

This gentle ode to a teacher’s skill at inspiring, encouraging, and being a role model is spoken, presumably, from a child’s viewpoint. However, the voice could equally be that of an adult, because who can’t look back upon teachers or other early mentors who gave of themselves and offered their pupils so much? Indeed, some of the self-aware, self-assured expressions herein seem perhaps more realistic as uttered from one who’s already grown. Alternatively, readers won’t fail to note that this small book, illustrated with gentle soy-ink drawings and featuring an adult-child bear duo engaged in various sedentary and lively pursuits, could just as easily be about human parent- (or grandparent-) child pairs: some of the softly colored illustrations depict scenarios that are more likely to occur within a home and/or other family-oriented setting. Makes sense: aren’t parents and other close family members children’s first teachers? This duality suggests that the book might be best shared one-on-one between a nostalgic adult and a child who’s developed some self-confidence, having learned a thing or two from a parent, grandparent, older relative, or classroom instructor.

A sweet, soft conversation starter and a charming gift. (Picture book. 4-7)

Pub Date: March 1, 2017

ISBN: 978-1-943200-08-5

Page Count: 32

Publisher: Compendium

Review Posted Online: Dec. 13, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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