C.R. MUDGEON

Name: C.R. MUDGEON
Author: Leslie Muir
ISBN: 978-1-4169-7906-7

by Leslie Muir & illustrated by Julian Hector ‧ RELEASE DATE: March 6, 2012

This paean to the value of moderation, conveyed via a friendship story that will resonate with children, is just right for...

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Young readers may not know beforehand what a "curmudgeon" is, but so many kids are creatures of habit they'll sympathize with this hidebound hedgehog.

Charcoal-and-watercolor illustrations are softly colored in moss green, tree-bark brown, yellow ocher, pale blue and dusty rose, appropriate to the woodsy setting. C.R. himself is appealing; cute in spite of himself, with his pointy spines sticking up like recalcitrant hair, emphasizing his prickly nature. Reminiscent of Ereth the porcupine from Avi's Poppy stories, C.R. is outwardly grumpy and suspicious of anything new. When Paprika the squirrel moves in nearby, she plants bright poppies, enthusiastically greets him—immediately assuming they're friends—and cooks spicy food, the smell of which makes C.R. sneeze. It's not until the tables are turned, and Paprika is subdued by a case of the "whooping whiffles," that C. R. breaks out of his rut to care for her, realizing that, in fact, he has made a friend. As he learns to share his tastes with her, he even spices things up a little: adding salt to his celery soup, lemon to his dandelion tea.

This paean to the value of moderation, conveyed via a friendship story that will resonate with children, is just right for any kid who's wary of new things, and maybe a bit shy. (Picture book. 4-8)

Pub Date: March 6, 2012

ISBN: 978-1-4169-7906-7

Page Count: 32

Publisher: Atheneum

Review Posted Online: Jan. 3, 2012

Kirkus Reviews Issue: Jan. 15, 2012

Categories:

CHILDREN'S SOCIAL THEMES

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ON THE FIRST DAY OF KINDERGARTEN

by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

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Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

Categories:

CHILDREN'S CONCEPTS | CHILDREN'S SOCIAL THEMES

- BOOK REVIEW
ON THE FIRST DAY OF FIRST GRADE
by Tish Rabe ; illustrated by Sarah Jennings

- BOOK REVIEW
FIVE LITTLE BUNNIES
by Tish Rabe ; illustrated by Dan Yaccarino

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CLAYMATES

by Dev Petty ; illustrated by Lauren Eldridge ‧ RELEASE DATE: June 20, 2017

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

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Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)