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PERCEPTION

An engaging tale with plenty of genre intrigue to satisfy SF fans.

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This mind-bending SF novel combines mysticism with thrills.

In the opening pages, Minda Blake, a psychic known as a “remote viewer” for a black ops government contractor, uses her ability to dig up a mysterious gold artifact in the deeply religious Dutch Reformed part of Michigan. Almost immediately afterward, she passes out, later realizing that a colleague wanted the fragment and tried to kill her. After recovering, she resolves to find the golden object and take it to the media, even if her employer will hunt her down and, in the best-case scenario, have her institutionalized. Her quest to recover the artifact leads her to small-town chef Garritt Vanderhoeven, who has his own special abilities following a plane crash and miraculous recovery in the rainforest of Peru. Since the accident, he has seen “flashing, twinkling, golden sparks,” which guide his way, including circling around Minda like “fireflies all around her dark wavy hair” when they meet. Their paths further intersect when Juan Talamantes, a worker at Garritt’s restaurant, is arrested by people claiming to be cops who believe he knows a man who discovered a piece from a UFO. These different narratives collide as Downey offers revelations about the golden artifact and the true history of Earth’s people. The plot intensifies as more is disclosed about Garritt’s family and his break with his religious upbringing. In the middle third of the novel, some of the plot momentum stalls when the tale starts following the interior lives of the expanding cast of characters. The backstory of the black ops government contractor and extended sequences in which Minda learns about the heightened powers provided by the golden artifact occasionally grind the tale to a halt. Despite this, there are enough twists, cliffhanger chapter endings, and rich details about the Dutch Reformed community to set this gripping book apart from similar SF novels.

An engaging tale with plenty of genre intrigue to satisfy SF fans.

Pub Date: July 6, 2024

ISBN: 9781953474087

Page Count: 390

Publisher: N/A

Review Posted Online: June 13, 2024

Kirkus Reviews Issue: Sept. 1, 2024

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE BOOK OF ELSEWHERE

A well-written if elusive treat for fans of modern mythologizing.

In which the Angel of Death really wants to take a holiday.

“Memory is a labyrinth.” Or perhaps a matrix. Actor Reeves teams up with speculative fictionist Miéville to produce a tale that definitely falls into the latter’s “weird fiction” subgenre. The chief protagonist is the demi-divine Unute, known as B. He’s not nice: “That man does not kill children anymore, when he can avoid doing so, but still, leave him alone,” warns one of the narrators, whose threads of story are distinguished by different typefaces. B is a killer—early on, he explains to a psychiatrist, “I kill and kill and kill again,” adding that he’d really rather be doing something else. B is also curious about the way things work, which leads him to experiment on unfortunate deer-pigs, the babirusa of Indonesia, to try to suss out what allows him to die but then come back to life, learning that he’s not so much immortal as “infinitely mortal.” B, as one might imagine, isn’t the life of the party—and the reader will be forgiven for being a little grossed out by his experiments, which are infinitely grisly (“A gush of cream-­ and rust-­colored slime sopped out and across the gurney and onto the floor to mix with soapy water”). The structure of the story is both metaphorical (albeit B professes little patience with metaphor), with Unute morphing into Death itself, and rather loose, the plot picking up hints dropped earlier. It’s not always easy to follow, but it’s clear that Reeves and Miéville are having fun with the tale and its often playful, even poetic language (“the huff-­huff of horny hard feet on the scuffed corporate carpet, a stepping closer, an incoming, a meeting about to be”).

A well-written if elusive treat for fans of modern mythologizing.

Pub Date: July 23, 2024

ISBN: 9780593446591

Page Count: 352

Publisher: Del Rey

Review Posted Online: May 17, 2024

Kirkus Reviews Issue: June 15, 2024

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