Achieves the neat trick of presenting moral values in a persuasive and uplifting way without being preachy or boring.
In this novel by a 9/11 survivor, chance plays a major role in the lives of two best friends—but character plays an even bigger one.
In 1989, promising college student Tobias Hillyer has just arrived home to spend Christmas with his condescending father, alcoholic mother and Simeon, his gifted and artistic younger brother. After a sudden and tragic accident, Tobias becomes his brother’s caretaker and, instead of returning to school, finds his academic future shredded. In contrast, Martin, his former college roommate and best friend, seems showered with good fortune, landing a high-paying job after college with Lehman Brothers in New York. The men keep in touch through a shared passion for tennis. Tobias, stuck in a low-paying job, marries Carmela, a psychiatric nurse he met as a result of the accident. Martin marries Valerie, and the years tick by. The couples, and eventually their children, stay close friends, despite the discrepancy in their incomes. On a whim, Tobias buys a Mega Millions lottery ticket and wins the jackpot—suddenly everything is reversed; Tobias and Carmela live out their fantasies while Martin faces bankruptcy. The allegedly lucky couple faces countless problems—kidnappers, acquaintances begging for money, jealousy and lack of trust. Still, Tobias has a guiding belief in what is truly important, making his story one of triumph rather than defeat. Aside from an occasional overabundance of “telling”—details from the wedding and honeymoon read like journal entries—the strong sense of story and pace makes this an eminently readable and inspiring narrative. Duval’s earnest, likable characters possess an inner strength they must put into play in moments of struggle. The author adds suspense by intimating how the characters may be impacted by the eventual terrorist attack on World Trade Center.
Achieves the neat trick of presenting moral values in a persuasive and uplifting way without being preachy or boring.Pub Date: March 15, 2011
ISBN: 978-1604945201
Page Count: 343
Publisher: Wheatmark
Review Posted Online: July 26, 2011
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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