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HERE BUT NOT HERE

A LOVE STORY

An informative if scattershot account by Ross (Takes,1983, etc.) of her 40-year romance with New Yorker editor William Shawn. Ross, who joined the staff of the New Yorker in 1945, makes no apologies for her lengthy affair with the long-married Shawn, though she goes to great (and circular) lengths to explain and excuse it. “I couldn’t reconcile myself to being a —mistress.— I didn’t feel like one,” she writes. “Bill told me I was his —wife.— “ The entire affair was conducted with the full knowledge of Shawn’s real wife, Cecille: He and Ross kept an apartment about 12 blocks from where Mrs. Shawn and their children lived. Ross is vague and sparing with the logistics, yet apparently Shawn would usually sleep at home (where he kept a private phone in the bedroom “with a number he gave solely to me”), while taking his meals and spending most evenings with Ross (their apartment’s previous tenant had been Marlene Dietrich). Ross notes “the familiar misery in his face” after doing time en famille; although he —longed for the earthiest and wildest kinds of sexual adventures,— evidently he “never became inured to his guilt.” There’s a dated and doltish innocence in her presentation of this material, a tendency to dote goggle-eyed on Shawn that belies her true wit; Ross, after all, is well known as a tough-minded and persevering writer/reporter. Some passages are nearly incomprehensible, with few or no transitions to prepare or conclude them. Ross, who left the New Yorker with Shawn in 1987, returned in 1993, and compares Tina Brown’s regime favorably with that of her flame. Of historical interest are her recollections of J.D. Salinger and Shawn’s publication of “Zooey” over the objections of his own fiction editors. Both too quirky and too chatty; Ross is at her best when sticking to writers, writing, and Shawn’s editing. (b&w photos, not seen)

Pub Date: June 1, 1998

ISBN: 0-375-50119-3

Page Count: 288

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1998

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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