by Lily Burana ‧ RELEASE DATE: Sept. 1, 2001
Remarkably well-done: a complex and warm insider’s take on a booming industry.
Engaging memoir of a former stripper’s last fling with the profession.
A New York journalist and free spirit, Burana agreed to marry a handsome cowboy she met on a trip to Wyoming. Suddenly, settling down seemed impossible without examining the world of stripping where she had come of age, so Burana set about crafting a cross-country journey that would let her explore the profession that supported but eventually exhausted her. She prepares with a week of “stripper school” at the Pure Talent School of Dance, and then works in clubs from Colorado to Alaska. She reports on the business of stripping, her own stripping experience, dancers and their relationships, why men go to clubs, and what all this has to do with her. When she stops by the Exotic World Burlesque Museum in the California desert to get a sense of stripping’s history, she imparts her own, a story that takes her from Times Square to San Francisco’s bohemian scene. With appealing grace and humor, Burana sidesteps the pitfalls of writing about stripping—sensationalism, preachy moralism, self-righteousness—and instead ponders the historical and social complexities of such a ubiquitous, shadowy trade. With a deft touch, she answers the questions that you’d expect from a thoughtful stripper: How did you get into this? How does it feel? Don't you have any self-respect? And Burana is even-handed: for all the affirmative sisterhood-is-powerful moments, there is a flip side: the weariness of “stripper damage,” with its “self-hatred as wide and deep as the sea.” And always present is the pressure to remain glamorous—drilling out a belt buckle so it can be easily ripped open onstage, the requisite hours on the tanning bed, endless maintenance of hair and nails and mirrored velvet bikinis. Under all the camouflage, the author is entirely credible: When she asserts that “Stripping, at its best, feels like cheating death,” one might even nod in understanding.
Remarkably well-done: a complex and warm insider’s take on a booming industry.Pub Date: Sept. 1, 2001
ISBN: 0-7868-6790-6
Page Count: 256
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2001
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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