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I MARRIED YOU FOR HAPPINESS

Does the couple’s mutual happiness provide a Hegelian synthesis? Not quite, though Tuck’s crisp writing is a joy.

Using shards of memory, Tuck creates the portrait of a marriage in her latest, following the NBA winner The News from Paraguay (2004, etc.).

Nina and Philip have been married for 42 years. He’s a university mathematician, she’s an artist. His death is as quiet as the fall of a leaf. He returns to their Massachusetts home to rest before dinner. Nina finds him dead. Cardiac arrest, says her neighbor, an endocrinologist. Here Tuck suspends time, allowing Nina, during the night ahead, to sift through the memories and images from their life together. Tuck uses a loose variation of a binary, Hegelian model. On the one hand are the mathematical formulations spelled out by Philip in the lecture hall and over the dinner table; he’s a popular, witty teacher. Numbers represent logic and order; they are beyond time. In opposition are Nina’s memories, their wild disorder at the mercy of time. These are “the manifestations of the inner self," Nina’s reference to a Nathalie Sarraute novel she’s reading when Philip hits on her at a café in Paris, their first meeting. It is daring of Tuck to set their courtship in Paris, such well-trodden ground for young lovers. The result is a somewhat synthetic charm. What’s real, shockingly so, is Nina’s rape by Philip’s French cousin in a forest outside the city. Nina never told Philip about the rape or its consequence, a risky back-alley abortion; another secret was her one infidelity, a summer fling with a yachtsman in Brittany. Was Philip faithful to her? Nina doesn’t know, but she has a jealous temperament, an irritant among her many happy memories of lovemaking, meals and shared laughter. Another possible irritant, the contrast between Philip’s successful career and Nina’s failure to make it commercially, goes unaddressed, a disconcerting omission masked by exotic vacation travel writing.

Does the couple’s mutual happiness provide a Hegelian synthesis? Not quite, though Tuck’s crisp writing is a joy. 

Pub Date: Sept. 1, 2011

ISBN: 978-0-8021-1991-9

Page Count: 208

Publisher: Atlantic Monthly

Review Posted Online: July 26, 2011

Kirkus Reviews Issue: Aug. 15, 2011

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REGRETTING YOU

The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.

When tragedy strikes, a mother and daughter forge a new life.

Morgan felt obligated to marry her high school sweetheart, Chris, when she got pregnant with their daughter, Clara. But she secretly got along much better with Chris’ thoughtful best friend, Jonah, who was dating her sister, Jenny. Now her life as a stay-at-home parent has left her feeling empty but not ungrateful for what she has. Jonah and Jenny eventually broke up, but years later they had a one-night stand and Jenny got pregnant with their son, Elijah. Now Jonah is back in town, engaged to Jenny, and working at the local high school as Clara’s teacher. Clara dreams of being an actress and has a crush on Miller, who plans to go to film school, but her father doesn't approve. It doesn’t help that Miller already has a jealous girlfriend who stalks him via text from college. But Clara and Morgan’s home life changes radically when Chris and Jenny are killed in an accident, revealing long-buried secrets and forcing Morgan to reevaluate the life she chose when early motherhood forced her hand. Feeling betrayed by the adults in her life, Clara marches forward, acting both responsible and rebellious as she navigates her teenage years without her father and her aunt, while Jonah and Morgan's relationship evolves in the wake of the accident. Front-loaded with drama, the story leaves plenty of room for the mother and daughter to unpack their feelings and decide what’s next.

The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.

Pub Date: Dec. 10, 2019

ISBN: 978-1-5420-1642-1

Page Count: 400

Publisher: Montlake Romance

Review Posted Online: Oct. 13, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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