A poetic, unsentimental drama that offers a meditation on love in all its disparate forms.
A young woman living in the slums of Barcelona quietly observes the aftermath of a famous writer's interventions.
This is Swedish author Wolff's debut novel (after a book of short stories: Many People Die Like You, 2009), but she uses many of the techniques of short fiction in weaving together a quixotic portrait of a Spanish neighborhood. Bookish types should be warned that the story has nothing to do with literary agitator Ellis, the title character here being one of several dogs named after well-known writers. Wolff applies a gritty patina to her somewhat chaotic novel, opening with a quote from the barfly Charles Bukowski and weaving together an unvarnished play about love and transformation that recalls the work of the late Roberto Bolaño (2666, 2008, etc.) The novel's point of view is mostly that of Araceli Villalobos, a young girl living in a rotted-out apartment whom we follow into adulthood. But the book’s touchstone is Alba Cambó, a famous writer of violent short stories. Through these two characters, Wolff depicts the breadth of the human condition. In one passage, Alba hires a Mexican maid who recounts the story of her son’s death on the border. In another, a newly arrived priest quickly meets an untimely end. In a particularly memorable sequence, a desperate Araceli turns to prostitution, only to find that her first client has been hired by Alba. “You may not be very good at selling yourself, Araceli, but you’re even worse at lying,” the john tells her. “That kind of thing grows on you; the attraction has to take its time. You see the person. You start fantasizing about them. Then suddenly one day you’ve got there, and it’s all wonderful.” The novel’s jarring scene changes can be off-putting, and Wolff’s nesting-doll approach to storytelling may lose some readers as well. That said, the author demonstrates a marvelous command of language and creates characters with real depth, lending the book a sensual vibe and an acerbic wit that force its emotional truths to rise above the grunge of its hard-boiled setting.
A poetic, unsentimental drama that offers a meditation on love in all its disparate forms.Pub Date: Jan. 14, 2016
ISBN: 978-1-908276-64-3
Page Count: 304
Publisher: & Other Stories
Review Posted Online: Jan. 24, 2016
Kirkus Reviews Issue: Nov. 1, 2015
BOOK REVIEW
BOOK REVIEW
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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