Kept afloat by a plucky heroine, like a yuppie version of Stephanie Plum.
Debut author Boero’s auspicious beginning to a planned mystery series features a law school student with prosopagnosia.
Liz Howe suffers from a rare condition that prevents her from recognizing faces, but her other senses are highly attuned to compensate. When she discovers the body of a partner in the stairwell of the law office where she’s working as a summer associate, Liz impresses the investigating detective with her observations. Despite her prosopagnosia, Liz can detect that Detective James Paperelli is lust-worthy. While the young female amateur sleuth crushing on the unavailable detective isn’t an original plot device in the world of cozy mysteries, Boero makes it fresh by having James welcome Liz’s assistance rather than warning her away. Acting as an informant for Paperelli, Liz enlists firm partner and her boss, Janice Harrington, to help her infiltrate the firm’s inner workings. Liz, with her self-proclaimed nerdiness, diagnosed neurological condition and conventional concerns about her appearance, is a believable, sympathetic protagonist, although readers may wonder how she has time to study, research her academic articles, work part time and embark on a self-improvement program. James, on the other hand, with his designer clothing and unending kindness, is almost too good to be true, save one uncharacteristic and troubling emotional outburst. Boero offers unique, memorable settings in St. Louis, Mo., and Marshfield, Wis., the second of which greatly informs Liz’s personality (and makes Wisconsin seem like a desirable place to live). Despite a few instances where the action slows and a slightly pat resolution, Boero’s book will appeal to fans of mysteries and chick lit. While Liz emphasizes her self-identified shortcomings—seemingly de rigueur for women of this age group—her academic achievements and pursuit by four eligible males suggest otherwise. Still, her fresh voice makes up for a few clichéd aspects of the novel.
Kept afloat by a plucky heroine, like a yuppie version of Stephanie Plum.Pub Date: Aug. 9, 2013
ISBN: 978-0615762524
Page Count: 350
Publisher: Nerdy Girl Press
Review Posted Online: Jan. 22, 2014
Review Program: Kirkus Indie
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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