As solid as its subject’s surviving buildings, and a useful addition to Restoration studies. (16-page color insert, b&w...
A lucid portrait, abrim with encyclopedic detail, of the English architect, scientist, and inventor.
Biographers, it is true, have long overlooked Wren (1632–1723), but British historian Jardine (Ingenious Pursuits, 1999, etc.) incorrectly claims that hers is “the first integrated modern account of his career.” Not so: Adrian Tinniswood’s His Invention So Fertile (2002) was both integrated and modern, if a little on the slow side. Without supplanting Tinniswood’s biography, which is more scientifically fluent, Jardine’s is more pleasurable to read as it covers much of the same ground. The author marvels, and appropriately so, at Wren’s scholarly attainments, extraordinary even in an age when such brilliant, multitalented individuals as John Locke, Samuel Pepys, and William Harvey were working their wonders. Jardine does not shy away from the gruesome subjects of Wren’s early scientific experiments; he once claimed that he could “easily contrive to convey any liquid Poison into the Mass of Blood” and set about doing so by slicing open an unfortunate dog and introducing into it “2 ounces of Infusion of Crocus Metall: thus injected, the Dog immediately fell a Vomitting, & so vomited till he died.” Fortunately for the dogs of London (and squeamish readers), Wren turned to architecture, designing St. Paul’s Cathedral and other grand structures in the aftermath of the great London fire of 1666. Caught up in the complex, antimonarchical political struggles sweeping England, he had a way of picking the losing side, which diminished his reputation within his lifetime. Jardine remarks sympathetically that “the failure of each of his royal patrons in turn . . . to see through to completion the great buildings Wren designed for them as their ‘great Monuments’ was symptomatic of their failure to give moral leadership,” and symptomatic of the difficulties he faced as an artist dependent on a fickle, endangered audience.
As solid as its subject’s surviving buildings, and a useful addition to Restoration studies. (16-page color insert, b&w illustrations throughout)Pub Date: Feb. 2, 2003
ISBN: 0-06-019974-1
Page Count: 624
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2003
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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