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WORLDLY GOODS

A NEW HISTORY OF THE RENAISSANCE

A perceptive history of the Renaissance from an original angle: its appetite for material possessions. Jardine (English/Univ. of London) argues that the unashamed pursuit of valuable possessions, including great religious and secular art, was a defining characteristic of the period. The new age of learning and exploration was also, she reminds us, an age driven by the urge to own, to publicly succeed, and the author views the typical ``Renaissance man'' as being motivated by conspicuous consumption as much as by humanist principles. The leading members of Renaissance society sought to live in ornate palaces filled with fine paintings, sculpture, marble and rare stone, porcelain, Venetian glass, silk from China, broadcloth from London, rich velvet, and fine tapestries and carvings—hardly the spiritual symbols of a deeply religious era. Yet Renaissance religious art reflected a true spirituality: Most Renaissance artists believed that only the very best was good enough to honor their sacred subjects. In Jardine's view, the Renaissance uniquely combined the sacred with the profane: She cites examples of literature and art that blithely mixed a celebration of valuable commodities with sacred themes. During the Renaissance, city-states like Venice and Genoa grew fat channeling the riches and spices of the Orient into Europe. Trading, capital investment, banking, and credit all accelerated the creation of a new wealthy class. Ostentation reflected the authority of powerful princes of the states and the Church, and the achievements of great merchants. Some innovations improved the lot of the common man and inspired more humble consumption. In particular, the invention of the printing press made formerly handwritten rare copies of Greek and Roman classics available to learned commoners. Jardine's primary research and conclusions appear sound and convincing, providing new insights into the acquisitive basis of a fascinating age that helped to shape our world. (16 color plates, 60 b&w illustrations, not seen) (Author tour)

Pub Date: Dec. 31, 1996

ISBN: 0-385-47684-1

Page Count: 400

Publisher: Nan A. Talese

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1996

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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