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VINCE AND JOY

With wit and well-rendered characters, the author fills her story with keen observations about real life and the possibility...

British author Jewell’s fifth novel (after A Friend of the Family, 2003, etc.) is a deliciously addictive read filled with London oddballs, horrid husbands and romantic destiny.

Thirty-five year old Vince is sitting in a kitchen with friends, fresh from the demise of his marriage to wild-child Jess, when the conversation veers to the first time each had sex. Amid tales of awkward fumbling and comic disappointment comes Vince’s recollection of Joy. They met as misfit teenagers at a third-rate beach resort—their parents’ rented trailers stood side by side—and the two, Joy beautifully fragile despite the army surplus shorts, Vince ruggedly handsome, experienced something close to love at first sight. After much hand-holding and a youthful baring of souls, Vince and Joy have a perfect night of sex in a field, and then through a series of miscommunications, the two are separated for another 17 years. What ensues is mundane life—dreary, disappointing, occasionally brilliant, most often just ordinary, as Vince and Joy attempt to navigate relationships all wrong for them. With a dead-end job and nursing a slightly bruised heart, Joy responds to a personal ad for a man described as handsome. He is not. But accountant George is rather sweet and interesting and enjoys the nightly spliff. And though Joy is not attracted to him in the least, the two begin a pallid romance that leads to a miserable marriage. Meanwhile, Vince has paired up with Jess, a free spirit who’s just a bit too free for Vince’s taste, what with the partying, the ex-boyfriends hanging about and the drug use, with an infant at home. Through the years, Vince and Joy’s paths have crisscrossed, but always at the worst possible time, delaying the inevitable, fated true love. Can Jewell sustain 500 pages of suspense until our lovers reconnect? Can a reader survive this much romantic pudding? Oh, yeah.

With wit and well-rendered characters, the author fills her story with keen observations about real life and the possibility of real love.

Pub Date: Oct. 1, 2006

ISBN: 0-06-113746-4

Page Count: 512

Publisher: Harper/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2006

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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