A case of a reporter’s objectivity failing the needs of fiction.
Marriage to the man at the pulpit is an ordeal of biblical proportions for a trio of wives in this uneven debut from former Time reporter Cullen.
Ruthie and Jerry fulfill our expectations of New Yorkers—he works in finance, she in PR, and they live busy lives filled with takeout and friends. Then Jerry is called to God. Ruthie, a lapsed Catholic, is stunned but supportive when Jerry announces he is quitting Wall Street to work for an evangelical megachurch in Georgia. She always knew Jerry was spiritual (after all, they met while he was a theology student), but their religious differences seemed irrelevant to their urban life. Soon enough, the two are on the campus of the Greenleaf Church, where staff and parishioners are encouraged to drive green hybrids, use the church’s store and cafe, enjoy the Christian-themed yoga studio and enroll the kids in their day care. Ruthie and Jerry are housed in the same gated community where the church’s charismatic leader, Aaron Green, and his wife, Candace, live. Ruthie is strangely nonplused by their move to a Southern-style Stepford and is in fact impressed by first lady Candace. While Jerry is turning into Pastor Green’s right-hand man, Ruthie makes friends with Ginger, Candace and Aaron’s daughter-in-law. Ginger is often alone with her two small children (while her husband happily jets around the world on disaster relief missions), at the mercy of Candace’s haughty commands. When Ginger’s past (an Internet porn career before she was saved and married) comes to light, Candace shows everyone how to play hardball. Meanwhile, Ruthie fears that she and Jerry are drifting apart and that he is seeing the choir’s lead singer, a true believer, which is something Ruthie will never be. Though Cullen’s story occasionally feels like a juicy secret revealed, the novel lacks a consistent authorial point of view. Filled with Bible verses and an insider’s unquestioning acceptance of evangelicalism (the novel could do well in the Christian fiction market), it fails to fully examine Ruthie’s role as outsider until the end.
A case of a reporter’s objectivity failing the needs of fiction.Pub Date: April 30, 2013
ISBN: 978-0-452-29882-8
Page Count: 368
Publisher: Plume
Review Posted Online: March 10, 2013
Kirkus Reviews Issue: April 1, 2013
BOOK REVIEW
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
BOOK REVIEW
BOOK REVIEW
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