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SAILOR MOO

COW AT SEA

A land-locked cow follows her dream—and finds lasting happiness—in Wheeler’s (Sixteen Cows, p. 348, etc.) humorous outing. In the opening spread, Moo stands before the fence that divides her grassy grazing land from the wheat field. “Moo watched the field of waving wheat, / and wished for ocean swells. / She sniffed the freshness of the grass, / but wished for ocean smells.” Not one to wait, Moo heads to the bay and boards a boat piloted by craggy cats. Goembel’s (The Night Iguana Left Home, 1999, etc.) finely wrought acrylic illustration brims with witty details, from the anthropomorphized crew drawing in a loaded fish net to the bristly captain, who wears an eye patch and hooked claw. He agrees to take Moo on in exchange for fresh milk. When a storm sends Moo overboard and she’s rescued by a pirate ship captained by Red Angus, her life takes an unexpected turn (“Red Angus gazed into her eyes. / His heart began to warm. / In Moo he’d found his dairy queen / and now he must reform”). The naturalistic accuracy of Goembel’s illustration adds to the humor of this most unusual situation, especially in the end, when a closing cameo zeroes in on Moo, Angus, and their calf Half-’n’-Half, enjoying ice-cream cones on the Jersey shore. (Picture book. 3-7)

Pub Date: July 1, 2002

ISBN: 0-689-84219-8

Page Count: 32

Publisher: Atheneum

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2002

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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  • New York Times Bestseller


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CREEPY CARROTS!

Serve this superbly designed title to all who relish slightly scary stories.

Awards & Accolades

Our Verdict

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  • New York Times Bestseller


  • IndieBound Bestseller


  • Caldecott Honor Book

Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.

Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.

Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)

Pub Date: Aug. 21, 2012

ISBN: 978-1-4424-0297-3

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: May 1, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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