The timeless battle between good and evil has never been trashier. Hooray.
The bitch is back!
After four intervening novels of varying success, the sisters who write as Constantine have returned to the well, bringing back the craven sociopathic hussy we loved to hate in their breakout debut, The Last Mrs. Parrish (2017). The good news is, Amber Patterson Parrish, a.k.a. Lana Crump, is worse than ever. As the novel opens, she’s visiting her handsome, deeply horrible husband, Jackson, at Camp Fed, where he’s soon to wrap up his sentence and return to Amber’s loathing arms. “Amber had worried at first that the scandal would make her persona non grata in Bishops Harbor, but apparently tax evasion was a crime that didn’t garner much antipathy among the one-percenters.” Each of them has plans to dump the other just as soon as they can get through the welcome home party, and each has their own evil scheme for what happens after that. His: to get back the first Mrs. Parrish—sweet, confused, abused Daphne, who took the girls and moved to California after the divorce, where she divides her time between much-needed therapy and her cystic fibrosis nonprofit. Hers: to rob him blind and fly the coop, dumping little Jackson Junior with the nanny. I mean, he’s cute, but...you gotta do what you gotta do. What Amber doesn’t know is that Daisy Ann Briscoe, whose father was so briefly married to Amber that Daisy Ann didn’t even know Amber existed before he died “in a hunting accident,” has alternate plans for her former stepmother. She just has to find a way to prove what actually happened out in those Colorado woods. There’s no manipulative unreliable narrator, no contrived backstory shoehorned in at the eleventh hour, and the over-the-topness—like Amber meeting a shady diamond dealer named Mr. Stones—reads as funny and intentional. You go, ladies.
The timeless battle between good and evil has never been trashier. Hooray.Pub Date: June 18, 2024
ISBN: 9780593599921
Page Count: 336
Publisher: Bantam
Review Posted Online: April 5, 2024
Kirkus Reviews Issue: May 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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