edited by Liz Rosenberg ‧ RELEASE DATE: April 1, 2001
Rosenberg again brings contemporary “adult” poems to a younger audience, in an appealing and intriguing format. A “companion” to The Invisible Ladder (1996), this also introduces the reader to the poets through their commentaries, which precede each selection. A b&w photo of each poet with her or his family accompanies the commentaries, making vividly clear that there are many different kinds of people alive today who happen to be poets. Those that Rosenberg has gathered (40 in all) are all American, of various cultures and experiences. The poems are narrative and lyric in style, bearing on the infinitely diverse relationships in families. Though many of the poems are from a parent’s perspective, they are accessible to younger readers, too. Stephen Dobyns writes, of his son, “Far from my house he will open his presents— / a book, a Swiss Army knife, some music. Where / is his manual of instructions? Where is his map / showing the dark places and how to escape them?” Other poets touch on feelings that many kids will relate to instantly: “When I see my father lying in bed, reading / I want to pass by and say, / be my happy father.” Robert Bly, Naomi Shihab Nye, Stanley Kunitz, Gary Soto, Linda Pastan, Marie Howe, and Donald Hall are among the well-known poets here, and they are in the excellent company of others that Rosenberg has brought together in this engaging collection. (biographical notes, suggested reading and listening, permissions, index of first lines) (Poetry. 12+)
Pub Date: April 1, 2001
ISBN: 0-8050-6433-8
Page Count: 242
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2001
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by Liz Rosenberg ; illustrated by Diana Sudyka
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by Liz Rosenberg ; illustrated by Julie Morstad
by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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PERSPECTIVES
by Stephanie Garber ‧ RELEASE DATE: Jan. 31, 2017
Immersive and engaging, despite some flaws, and destined to capture imaginations.
Magic, mystery, and love intertwine and invite in this newest take on the “enchanted circus” trope.
Sisters raised by their abusive father, a governor of a colonial backwater in a world vaguely reminiscent of the late 18th century, Scarlett and Donatella each long for something more. Scarlett, olive-skinned, dark of hair and attitude, longs for Caraval, the fabled, magical circus helmed by the possibly evil Master Legend Santos, while blonde, sunny Tella finds comfort in drink and the embraces of various men. A slightly awkward start, with inconsistencies of attitude and setting, rapidly smooths out when they, along with handsome “golden-brown” sailor Julian, flee to Caraval on the eve of Scarlett’s arranged marriage. Tella disappears, and Scarlett must navigate a nighttime world of magic to find her. Caraval delights the senses: beautiful and scary, described in luscious prose, this is a show readers will wish they could enter. Dresses can be purchased for secrets or days of life; clocks can become doors; bridges move: this is an inventive and original circus, laced with an edge of horror. A double love story, one sensual romance and the other sisterly loyalty, anchors the plot, but the real star here is Caraval and its secrets.
Immersive and engaging, despite some flaws, and destined to capture imaginations. (Fantasy. 14 & up)Pub Date: Jan. 31, 2017
ISBN: 978-1-250-09525-1
Page Count: 416
Publisher: Flatiron Books
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
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