Teen angst south-of-the-border: Monroy’s debut is most notable for its pungent characterization of Mexico City, where...
A bright teenager whose free-spirited Foreign Service worker mother is transferred to Mexico City spends a momentous senior year struggling to find herself at an elite private school.
After a few stable years in Washington, D.C., Milagro “Mila” Epstein has plenty of misgivings when landing in the smoggy splendor of Mexico City. An excellent student raised in various countries by her single mother, Maggie, she is understandably curious to finally be living in the hometown of her biological father—a married Mexican politico whom Maggie refuses to name. (Her mom’s secret, which she claims to be keeping in an effort to protect them both, is but a small obstacle to the intrepid Mila, who has ambitions of becoming a journalist.) What really stresses the 17-year-old out is starting over at a new school. The fortress-like International School of Mexico (ISM) is about as cliquey as they came. A hotbed of sex, drugs and underage drinking, ISM has a student body made up of American kids with parents working in the city, a majority being the glamorous offspring of Mexico’s moneyed upper class (known as “fresas,” or strawberries, in the local slang). The fresas live in a rarified world of extreme privilege, with designer clothing, private cars with drivers and a lack of supervision that American kids can only dream of. Initially, Mila hangs out with her own kind, even losing her virginity, disastrously, to a friendly seeming boy-next-door type who never learned that no means no. She also experiments with drugs (and dealers) and battles with her well-meaning mother. Of course, Maggie has dramas of her own: She starts dating her married boss after her stand-up boyfriend Armando is murdered. When Mila starts dating the dreamy fresa Manuel, Maggie cannot help but approve. The son of a well-connected plastic surgeon, Manuel introduces the girl to the upper echelons of Mexican society, including the mystery man who may or may not be her dad. It is then left to Mila to decide how far to go for the truth.
Teen angst south-of-the-border: Monroy’s debut is most notable for its pungent characterization of Mexico City, where political assassinations and bribery are commonplace in a 12th grader’s life.Pub Date: June 10, 2008
ISBN: 978-0-385-52359-2
Page Count: 352
Publisher: Spiegel & Grau
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2008
BOOK REVIEW
BOOK REVIEW
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...
Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.
Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.Pub Date: June 25, 2019
ISBN: 978-0-385-54425-2
Page Count: 544
Publisher: Doubleday
Review Posted Online: March 3, 2019
Kirkus Reviews Issue: March 15, 2019
SEEN & HEARD
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
BOOK REVIEW
BOOK REVIEW
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