Inspired and inspiring, this is creative genius at work.
In this wordless picture book, youngsters follow a boy through the seasons and see how the natural world influences his indoor projects and outdoor activities.
The ease with which he moves between the two spaces—inside to outside and back again with each page turn—and his subsequent productivity are emphasized by intriguing die-cut windows throughout. In the opening spread, mittens, boots and scarf are strewn about, clues that the boy has been outdoors; indeed, snowmen are visible through his windows. Yet he anticipates spring as he sits at the table planting seedlings. He takes a break to make more snowmen and then he’s back indoors, where he hangs his paintings of snowmen, appropriately melting, and birds. The seedlings sprout, and outside his windows, trees are in bud. Children will pore over the increasing number of details as the two worlds merge. Bird mobiles inside complement the birds outside; he keeps houseplants as well as a garden. At all times, glimpses through the windows show inside and outside in harmony. Beautifully paced, the boy’s endeavors encourage replication. This is a fine example of how nature sparks the imagination of the creator, whether sculptor, painter, gardener or crafter. Even the illustrations, gouache on brown Kraft paper, staples on many children’s art tables, invite tots to get busy.
Inspired and inspiring, this is creative genius at work. (Picture book. 2-6)Pub Date: April 1, 2013
ISBN: 978-1-4521-0644-1
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
Little Blue’s fans will enjoy the animal sounds and counting opportunities, but it’s the sparkling lights on the truck’s own...
The sturdy Little Blue Truck is back for his third adventure, this time delivering Christmas trees to his band of animal pals.
The truck is decked out for the season with a Christmas wreath that suggests a nose between headlights acting as eyeballs. Little Blue loads up with trees at Toad’s Trees, where five trees are marked with numbered tags. These five trees are counted and arithmetically manipulated in various ways throughout the rhyming story as they are dropped off one by one to Little Blue’s friends. The final tree is reserved for the truck’s own use at his garage home, where he is welcomed back by the tree salestoad in a neatly circular fashion. The last tree is already decorated, and Little Blue gets a surprise along with readers, as tiny lights embedded in the illustrations sparkle for a few seconds when the last page is turned. Though it’s a gimmick, it’s a pleasant surprise, and it fits with the retro atmosphere of the snowy country scenes. The short, rhyming text is accented with colored highlights, red for the animal sounds and bright green for the numerical words in the Christmas-tree countdown.
Little Blue’s fans will enjoy the animal sounds and counting opportunities, but it’s the sparkling lights on the truck’s own tree that will put a twinkle in a toddler’s eyes. (Picture book. 2-5)Pub Date: Sept. 23, 2014
ISBN: 978-0-544-32041-3
Page Count: 24
Publisher: HMH Books
Review Posted Online: Aug. 11, 2014
Kirkus Reviews Issue: Sept. 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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