A serviceable contribution to cumulative-song collections or surprise-ending collections.
A familiar cumulative folk song gets a mild tweak.
This time, the setting is a lake floor. “There’s a hole in the log on the bottom of the lake”; “There’s a frog in the hole in the log on the bottom of the lake”; and so on. It’s better sung than recited, and musical notation can be found at the end. On the frog is a hair (one corkscrew curl growing upward), and then a fly on the hair, and then a gnat on the fly. The underwater atmosphere is dark green, with brown, beige, and lighter greens. Long’s acrylic-and–colored-pencil illustrations are an odd mix of styles: The frog is cartoony, especially when grinning and licking its lips in anticipation of a fly-gnat feast, whereas members of a school of goldfish are delicate and luminescent. The climax is a sudden “uh-oh. Chomp, snap, gulp!”—with an intriguing partial ambiguity about exactly who gets chomped. Throughout, a tiny snail and turtle provide wry counterpoint to the verse’s formal structure. The turtle offers commentary, sometimes amusing (when the song uses the lyric “hole,” he asks, “A whole what? It just looks empty to me”), sometimes confusing (he punnily grumps that someone must be “too cool for school” when, at that moment, the accused snail is joining a school of fish), and slapstick humor (“Dial 911! Turtle on its back! Emergency! Turtle freaking out!”).
A serviceable contribution to cumulative-song collections or surprise-ending collections. (musical notation, song lyrics) (Picture book. 3-7)Pub Date: Sept. 25, 2018
ISBN: 978-0-399-16399-9
Page Count: 40
Publisher: Philomel
Review Posted Online: July 29, 2018
Kirkus Reviews Issue: Aug. 15, 2018
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
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