Well-written and full of fun surprises.
When Arlo becomes frustrated with his octopus drawing, he finds encouragement in the drawing of a newfound friend.
“One day, quite unexpectedly,” Arlo, a brown-skinned boy with curly hair, bursts into his home having made a decision: He is going to draw an octopus. But the head he draws doesn’t look quite like an octopus head. He picks up another crayon and draws eight arms. But the arms don’t look like octopus arms. By the time he finishes the suction cups, Arlo is dismayed by how little resemblance his drawing bears to an octopus. “Perturbed,” he crumples up his drawing and tosses it away. When he goes to retrieve it for proper disposal, the crumpled drawing he picks up is not his at all. It is an octopus’ drawing—of Arlo! Each subject likes the other’s rendering, and Arlo is inspired anew. Arlo’s roller coaster of emotions will feel comfortingly familiar to anyone whose enthusiasm has ever been dampened by perfectionism. When he gets back on the proverbial horse, readers will feel relief and may themselves have learned a thing or two about not being too hard on oneself. Dramatic characters in smooth colors mix with crayon-textured embellishment for an engaging foray into Arlo’s emotional journey. Arlo never questions the sudden appearance of this marine creature in his home, adding an appealing layer of absurdity and causing readers to question what’s imagination and what’s reality. (This book was reviewed digitally.)
Well-written and full of fun surprises. (Picture book. 3-8)Pub Date: May 4, 2021
ISBN: 978-1-4197-4201-9
Page Count: 40
Publisher: Abrams
Review Posted Online: April 13, 2021
Kirkus Reviews Issue: May 1, 2021
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
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BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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BOOK REVIEW
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