In their third chapter-book outing, doggy best friends “Down Girl” and “Sit” must contend again with their misguided masters and the annoying cat, “Here Kitty Kitty,” who lives close by. The running joke is that the down-to-earth dog telling the story fully believes her name is “Down Girl” because she hears it so often. The gag may become a bit hackneyed by the end, but it’s hard not to appreciate the funny miscommunications between loving pets and confused owners, all told with a limited vocabulary for children just making the transition from early readers. In one hilarious chapter, an obedience lesson in the park rivals Abbott and Costello’s famous “Who’s On First” routine, since Sit, Down Girl and Hush are all in attendance, and those same commands are being put to heavy use by owners who all seem to have forgotten their own pets’ names. Reed’s black-and-white illustrations appear on almost every page, extending the three or four paragraphs of text. Young readers will “stay” for the end of this one. (Fiction. 6-10)
Pub Date: Nov. 1, 2008
ISBN: 978-0-7614-5439-7
Page Count: 64
Publisher: Marshall Cavendish
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 15, 2008
Rylant (Henry and Mudge and the Sneaky Crackers, 1998, etc.) slips into a sentimental mode for this latest outing of the boy and his dog, as she sends Mudge and Henry and his parents off on a camping trip. Each character is attended to, each personality sketched in a few brief words: Henry's mother is the camping veteran with outdoor savvy; Henry's father doesn't know a tent stake from a marshmallow fork, but he's got a guitar for campfire entertainment; and the principals are their usual ready-for-fun selves. There are sappy moments, e.g., after an evening of star- gazing, Rylant sends the family off to bed with: ``Everyone slept safe and sound and there were no bears, no scares. Just the clean smell of trees . . . and wonderful green dreams.'' With its nice tempo, the story is as toasty as its campfire and swaddled in Stevenson's trusty artwork. (Fiction. 6-8)
Pub Date: April 1, 1998
ISBN: 0-689-81175-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1998
With wordplay reminiscent of Margie Palatini at her best, Helakoski takes four timorous chickens into, then out of, the literal and figurative woods. Fleeing the henhouse after catching sight of a wolf, the pusillanimous pullets come to a deep ditch: “ ‘What if we can’t jump that far?’ ‘What if we fall in the ditch?’ ‘What if we get sucked into the mud?’ The chickens tutted, putted, and flutted. They butted into themselves and each other, until one by one . . . ” they do fall in. But then they pick themselves up and struggle out. Ensuing encounters with cows and a lake furnish similar responses and outcomes; ultimately they tumble into the wolf’s very cave, where they “picked, pecked, and pocked. They ruffled, puffled, and shuffled. They shrieked, squeaked, and freaked, until . . . ” their nemesis scampers away in panic. Fluttering about in pop-eyed terror, the portly, partly clothed hens make comical figures in Cole’s sunny cartoons (as does the flummoxed wolf)—but the genuine triumph in their final strut—“ ‘I am a big, brave chicken,’ said one chicken. ‘Ohh . . . ’ said the others. ‘Me too.’ ‘Me three.’ ‘Me four’ ”—brings this tribute to chicken power to a rousing close. (Picture book. 6-8)
Pub Date: Feb. 1, 2006
ISBN: 0-525-47575-3
Page Count: 32
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2005
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