by Lynn Plourde ; illustrated by Sue Cornelison ‧ RELEASE DATE: May 3, 2016
Best friends don’t have to do everything together, but they are there for one another, and Tiny and Penelope exemplify that.
Exuberant Penelope and shy and retiring Tiny, the most oddball of friends, are back, this time trying to decide what they can do together in the school talent show.
Fittingly, the book opens with Penelope letting out a loud “YIPPEE” in her excitement over the news and Tiny shushing her: “You’re making a scene.” Though Tiny has learned his lesson to let Penelope be her own hippo, the uptight mouse is still not comfortable being a part of what he sees as her extravagant ideas for a best-friends talent-show act: dance (ballet? Hula? Hip-hop?), a skit (“Rapunzel”? “Jack and the Beanstalk”? “Little Red Riding Hood”?), a circus act (trapeze? Clowns? Lion tamer?). But his idea—the chorus—just isn’t spectacular enough for Penelope. In the end, Tiny suggests that the two be in the show, just in different acts, and they can clap for each other. And when Penelope’s “ballet-Rapunzel-trapeze act” goes awry, her best friend is there to rescue her as if it were part of the act all along. Cornelison’s illustrations play up the size difference between the two friends as well as Tiny’s reticence versus Penelope’s over-the-top verve. Tiny’s thought bubbles are hysterical as he imagines lifting the hippo in a pas de deux or having her try to be the center of attention in the chorus.
Best friends don’t have to do everything together, but they are there for one another, and Tiny and Penelope exemplify that. (Picture book. 4-8)Pub Date: May 3, 2016
ISBN: 978-1-4847-1491-1
Page Count: 32
Publisher: Disney-Hyperion
Review Posted Online: March 1, 2016
Kirkus Reviews Issue: March 15, 2016
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by Aaron Reynolds ; illustrated by Peter Brown ‧ RELEASE DATE: Aug. 22, 2017
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with...
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Reynolds and Brown have crafted a Halloween tale that balances a really spooky premise with the hilarity that accompanies any mention of underwear.
Jasper Rabbit needs new underwear. Plain White satisfies him until he spies them: “Creepy underwear! So creepy! So comfy! They were glorious.” The underwear of his dreams is a pair of radioactive-green briefs with a Frankenstein face on the front, the green color standing out all the more due to Brown’s choice to do the entire book in grayscale save for the underwear’s glowing green…and glow they do, as Jasper soon discovers. Despite his “I’m a big rabbit” assertion, that glow creeps him out, so he stuffs them in the hamper and dons Plain White. In the morning, though, he’s wearing green! He goes to increasing lengths to get rid of the glowing menace, but they don’t stay gone. It’s only when Jasper finally admits to himself that maybe he’s not such a big rabbit after all that he thinks of a clever solution to his fear of the dark. Brown’s illustrations keep the backgrounds and details simple so readers focus on Jasper’s every emotion, writ large on his expressive face. And careful observers will note that the underwear’s expression also changes, adding a bit more creep to the tale.
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with Dr. Seuss’ tale of animate, empty pants. (Picture book. 5-8)Pub Date: Aug. 22, 2017
ISBN: 978-1-4424-0298-0
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
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