by Lynn Plourde ; illustrated by Sue Cornelison ‧ RELEASE DATE: June 25, 2013
Penelope joins the ranks of some other popular nonconformists, including Ian Falconer’s Olivia, David Shannon’s Camilla...
A hippo with her own sense of style shows her 1-year-older, uptight, mouse best friend that it’s important to be true to yourself.
Penelope is over the moon to be starting school, but her best friend, Tiny, seems more reticent about his first day back: “Oh, Penelope, you have so much to learn.” And he’s not talking about academics. Penelope’s sparkle rainbow outfit will cause everyone to stare, and what will they think of her picnic lunch and her Hugsy Hippo for show and tell? Tiny helps her pick out the perfect outfit, lunch and item for show and tell—all of them boring, ordinary and plain in Penelope’s eyes. But you can’t keep a happy hippo down, and in the morning, Penelope dons her sparkle rainbow outfit and packs her picnic lunch and Hugsy Hippo anyway. Tiny is uncomfortable with the other kids’ stares at the bus stop, reluctant to sit with Penelope on the bus and worried that his friend will have a bad day. But when they meet up again in the lunchroom, he realizes that his fears were unfounded. Penelope not only has a great day, she makes the day better for all the kids around her, Tiny included. Plourde’s dialogue includes lots of give-and-take between Penelope and Tiny, encouraging children to join in, and Cornelison’s illustrations positively revel in Penelope’s outré glee.
Penelope joins the ranks of some other popular nonconformists, including Ian Falconer’s Olivia, David Shannon’s Camilla Cream and Victoria Jamieson’s Bea. (Picture book. 4-8)Pub Date: June 25, 2013
ISBN: 978-1-4231-5510-2
Page Count: 32
Publisher: Disney-Hyperion
Review Posted Online: May 7, 2013
Kirkus Reviews Issue: June 1, 2013
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by Lynn Plourde ; illustrated by Mike Lowery
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by Aaron Reynolds ; illustrated by Peter Brown ‧ RELEASE DATE: Aug. 22, 2017
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with...
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Reynolds and Brown have crafted a Halloween tale that balances a really spooky premise with the hilarity that accompanies any mention of underwear.
Jasper Rabbit needs new underwear. Plain White satisfies him until he spies them: “Creepy underwear! So creepy! So comfy! They were glorious.” The underwear of his dreams is a pair of radioactive-green briefs with a Frankenstein face on the front, the green color standing out all the more due to Brown’s choice to do the entire book in grayscale save for the underwear’s glowing green…and glow they do, as Jasper soon discovers. Despite his “I’m a big rabbit” assertion, that glow creeps him out, so he stuffs them in the hamper and dons Plain White. In the morning, though, he’s wearing green! He goes to increasing lengths to get rid of the glowing menace, but they don’t stay gone. It’s only when Jasper finally admits to himself that maybe he’s not such a big rabbit after all that he thinks of a clever solution to his fear of the dark. Brown’s illustrations keep the backgrounds and details simple so readers focus on Jasper’s every emotion, writ large on his expressive face. And careful observers will note that the underwear’s expression also changes, adding a bit more creep to the tale.
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with Dr. Seuss’ tale of animate, empty pants. (Picture book. 5-8)Pub Date: Aug. 22, 2017
ISBN: 978-1-4424-0298-0
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
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